Faith, three hour session

[Dianne Gardner]

Haven't had an open studio session for awhile so I'm a little rusty. The group decided to pick up our frequency so we'll be painting twice monthly instead of once a month. .

I really wanted to continue on with her hands as she is holding a cup but I didn't have enough time. I guess I concentrated too much on her face.

I am going to finish it with a photo.

Thanks for looking
DianneI

[Julie Deane]

Lovely and fresh - great skin tones, Dianne. Kudos!

[Dianne Gardner]

Thank you so much Julie!

Dianne

[Marina Dieul]

Nice work, Diane !

[Dianne Gardner]

Thank you very much for looking and commenting Marina!

Dianne

[Ilaria Rosselli Del Turco]

Dianne, I wouldn't continue at all if I were you.
I find it very complete as it is.
I really don't like vignette portraits, except if the empty space is structured as in this case. The unfinished portion is there to testify your process, and further work will weaken the painting which is instead very interesting.
I believe that, if you will continue from a photo, you will not resist the temptation to "correct" the head and bring it to a higher degree of finish, thus loosing its strenght.
Reconsider your work with confidence and you will see that it's perfect as it is!
Ilaria

[Dianne Gardner]

Thank you Ilaria for your vote of confidence and your kind comments. I have to say though that I did work on it quite a bit today so I guess we are all a little too late. Hope I didn't ruin it. Here is what it looks like now.

Please pardon the gloss from the wet paint.

Dianne

[Chris Saper]

Diane, Wonderful job!

[Dianne Gardner]

Thank you Chris!

Dianne

[Alexandra Tyng]

Beautiful, Dianne! I like the way you placed the head, knowing how the rest would follow. Very nice composition. Finished or unfinished, It has an energetic yet sensitive style that is characteristic of all your work.