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09-23-2007, 07:24 PM
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#1
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Misha
From my Mountain Artists' Guild Friday group in Prescott.
Misha, oil 18 x 14.
I intended to do a monochromatic study with Gamblin's Chromatic Black, which seems to lean strongly toward violet. Once I saw our model's beautiful coloring, I borrowed some colors from my painting neighbor David Harlan. Misha has a mouth rivaling Scarlett J's
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09-24-2007, 01:35 PM
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#2
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Juried Member
Joined: May 2007
Location: Forestville, CA
Posts: 38
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Chris, It's lovely. Fresh and bold. What fun, thanks for sharing.
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09-25-2007, 11:08 AM
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#3
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UNVEILINGS MODERATOR Juried Member
Joined: May 2005
Location: Narberth, PA
Posts: 2,485
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Chris, how smart you were to switch to color! She really has striking coloring and features. I'm so envious of your oportunity to paint her. You did a fabulous job of capturing her likeness with your usual confident and expressive strokes.
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09-26-2007, 07:55 PM
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#4
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Lovely piece, Chris!
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09-27-2007, 07:57 AM
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#5
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Juried Member FT Professional
Joined: Dec 2005
Location: Bad Homburg, Germany
Posts: 707
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Chris, I love these tip of sketches, the colors subdued but still vibrant in just the right places.
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09-27-2007, 11:14 AM
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#6
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'09 Third Place PSOA Ohio Chapter Competition
Joined: Aug 2003
Location: Cleveland, OH
Posts: 1,483
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Fresh and Lovely
Great job Chris. I love your brush strokes in your Open Studio renderings. The mouth is great.
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09-28-2007, 11:29 AM
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#7
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Thanks, everyone. This sketch is very high key, because the room was brightly lit with fluorescent; however a model light in a warmer temperature added enough interest to have a good light/shadow pattern.
The studio at the MAG has all the overhead lights on a single circuit, and although I once got everyone to paint in the dark, they didn't really like it. Next time I think I will bring some foam boards and velcro to cover at least the bank of lights over the model.
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10-11-2007, 08:02 PM
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#8
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Associate Member SoCal-ASOPA Founder FT Professional
Joined: Sep 2002
Location: Laguna Hills, CA
Posts: 1,395
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Chris, I am sorry I missed this thread. I love the color combos, the light grey/blue goes great with her hair.
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