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Old 08-22-2010, 09:54 PM   #1
Julie Deane Julie Deane is offline
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the Yellow Bucket




This is a pastel done over the summer. 18 x 24 inches.
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Old 08-22-2010, 09:55 PM   #2
Julie Deane Julie Deane is offline
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closeup
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Old 08-23-2010, 02:06 AM   #3
Terri Ficenec Terri Ficenec is offline
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Really sweet Julie! You've done a super job of catching the feel of sun on skin - and those toes are just precious
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Old 08-23-2010, 08:28 AM   #4
Julie Deane Julie Deane is offline
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Thanks, Terri
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Old 08-23-2010, 03:03 PM   #5
Patricia Joyce Patricia Joyce is offline
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Oh Julie, this is so adorable. Mom and Dad must be thrilled. It has all the magic of childhood and the sweetness of girlhood in it. I love it.
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Old 08-23-2010, 06:11 PM   #6
Julie Deane Julie Deane is offline
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Thanks, Patty. It's just a little thing done for a lady at work. The little girl's likeness is spot on. I had to work from their photo, which was not that great for detail. Luckily I had other photos to give me more facial information.

I love how she lights up with happiness. She's ordinarily a very serious little girl.

It was also fun to work on a beach scene during the summer, but sobering considering the oil crisis in the Gulf. The thought of less happy moments in clear water and white sand is something I don't want to ever see come true.
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Old 08-23-2010, 08:43 PM   #7
Marvin Mattelson Marvin Mattelson is offline
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Masterful head

Hi Julie,

I love the color notes in the head: the way you've observed the effects of the various light sources and how their effect on the skin tones. A lot of people just indiscriminately slosh color around to try to simulate this effect, but your result is a function of mindfulness and purposefulness. Bravo!
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Old 08-24-2010, 02:01 PM   #8
Alexandra Tyng Alexandra Tyng is offline
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Hi Julie,

I agree with Marvin. The color is there for a reason. I also admire the light/shadow patterns, They are bold and confident, and I love how the outstretched arms and the bucket create the shadow on her lower body. So many beach paintings are all color and light, but no (or minimal) shadow, but this one has the solidity that is often missing in other paintings.
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Old 08-24-2010, 04:29 PM   #9
Julie Deane Julie Deane is offline
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Thanks, Marvin and Alex. This one was definitely a matter of thinking things through - light/shadow/colors, plus what to change to make it all read correctly. There were a few spots that gave me fits until I treated them wholistically as large shapes rather than dealing with the little incidental variations of the original photo.
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Old 08-25-2010, 10:10 AM   #10
Natalie Hunsaker Natalie Hunsaker is offline
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All I can say is ditto to what has been said!
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