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Old 10-08-2005, 04:03 PM   #1
Debra Jones Debra Jones is offline
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Jordan




I am trying to do at least one from life a week.

Open studio on Saturday and he asked for a photo print of it. I like that. A good painting in a models book makes ME important to.
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Old 10-09-2005, 04:40 PM   #2
Chris Saper Chris Saper is offline
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Hi Debra,

I moved this to Open Studio. Very strong and successful!
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Old 10-09-2005, 07:01 PM   #3
Linda Brandon Linda Brandon is offline
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Debra, this is really so nicely done, with terrific brush work that suits the look of your craggy model . I love the greys in the face, too!
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Old 10-09-2005, 07:27 PM   #4
Janet Kimantas Janet Kimantas is offline
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Very impressive. I love the brush work, too. Janet
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Old 10-10-2005, 12:09 AM   #5
Garth Herrick Garth Herrick is offline
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Very nice Debra!

I love the strong sense of form and texture. Letting the gray ground peek through is very effective.

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Old 10-10-2005, 07:48 AM   #6
Claudemir Bonfim Claudemir Bonfim is offline
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I like it very much, the drawing, strokes, profoundity, colors... everything!
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Old 10-10-2005, 08:32 AM   #7
Alexandra Tyng Alexandra Tyng is offline
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Debra,

I like this so much! Such a strong face and painted with assurance. Every time I see you have posted something from a live model I know it's going to be good.

Alex
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Old 10-10-2005, 11:33 AM   #8
Debra Jones Debra Jones is offline
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Thank you all. And Chris Especially. (I posted it initially in the wrong forum.)

I just enjoy a critique from Linda Brandon and Chris Saper because we swim in the same model pool.

The experience on Saturday was indeed intense. I was right behind Clayton Beck. For a "step back and place" instructor, I was interested in why he sat at a horse in the front row. Unfortunately there was an easel between me and his progress but I was enjoying the personal "competition". I have a mentor that says that is a big problem in open studio. One tends to vie for the best likeness, not always the best picture. I do agree. I sort of like the challenge.

It was a huge joy to have an instructor in the studio. It is good for the school, as a lure to the commoners ("MAYBE I can see the teacher side by side") and as an impetus to a higher quality of work.
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