London School Girl

[Scott Bartner]

Upon returning to Maastricht after an enjoyable and inspirational stay with my parents in Washington, I finished up this oil portrait of

[Brenda Ellis]

Scott, for some reason I don't see an attachment with your post but I went to your website and looked at the painting. It is lovely. I love the look and feel of your portraits. They have such a beautiful dignity about them. I love the contrast of the red dress with the blue ribbon in her boater. I only hope to be able to one day paint half as well as you.

[Kimberly Dow]

Scott,

This may be my favorite of yours so far - it's just gorgeous.

[Jean Kelly]

You may be throwing your hands up in frustration, but what I'm seeing is just luscious.

Jean

[Garth Herrick]

Dear Scott,

Like Kim has expressed, this may be my favorite painting of yours; it is simply breathtaking! The care and design you have put into this portrait are beyond emulation (and there are many friends and admirers of you who would love to paint this well!). Despite your caveats above, I think these images you have posted reproduce and represent your work reasonably well, at least on my monitor (Lindsay's flesh tones look as fresh as other masterworks that have preceded hers; the boater hat ribbon is clearly blue as it hangs down in the back, and I detect no suggestion of lipstick. I can only speculate that the verity of the red in her dress is on cue to calibration as well). This portrait is elevating and so inspirational. If you ask me, I will assert you have significantly raised the bar for the rest of us.

A high point of this sweltering hot season came just last Monday, when the opportunity finally fell into place to meet you in person, as you summered with your family in Maryland. Suffice to say, an entire afternoon and evening became lost in deep conversations on art and painting. I wish I had a stenographer along! It was a treat to finally see a number of your acclaimed masterpieces tangeable to the point where I could actually hold them and study them in the afternoon light. I saw one the same as this favorite of mine! This is even more breathtaking in person. You and your family were more than gracious and generous in your reflections upon my painting Apotheoun. I am just sorry our conversations and discussions could not have been extended another day. I have been truly inspired by our august meeting.

To all who are viewing this latest masterpice of Scott's, let me declare (based on my firsthand observation) that he imparts a level of unexpected depth and personal verity in his portraits that are unique, original, and beyond emulation. The technique and brilliant talent he employs is well worth our attention and appreciation.

I say bravo on an enchanting and wonderfully captivating portait of a London School Girl. She is already a classic.

Humbly,

Garth




PS: For some reason, I no longer see the complete set of posted images above using I.E. as the browser (although originally, I did see everything). However everything looks perfect using Safari as the browser (Macintosh). I hope I am alone in this little upload corruption bug. Otherwise, everyone check out Safari or another alternative browser, for better luck in viewing this.

Safari

Netscape works too, but the text is less clear.

[Linda Brandon]

I keep coming back to look at that face closeup, Scott. That soft lost edge on our left as it meets the background is perfectly done, as is all the subtle modeling in the face (especially that nose). I love her expression and the quiet winsome pose, nothing cloying, garish or too-cute. I wish I had painted this, Scott, it's very beautiful.

[Scott Bartner]

Dear Brenda, Kim, Jean, Linda and Garth:

When someone says,

[Terri Ficenec]

Scott, this is so beautifully done. I love the way you've positioned her and the closeups of her face are just so subtle and sweet. There's something very charming and nostalgic about this. Beautiful!

[Enzie Shahmiri]

Scott, this truly is a timeless portrait. I love her pondering, sensitive pose and find your color choices just beautiful. The tiny flower adds a nice touch and great symbolism.

Ah, you got her soul not just her image. Just wonderful!

[Bart Lindstrom]

Scott, your painting is truly amazing. I too love the soft edges as the face turns away from us. And the value control around the nose with the found and lost edges take my breath away. This painting makes me want to hug this child. Her innocence with such dignity capture the essence and beauty of childhood. Wow, I stand if awe. I am inspired anew to paint with quiet reserve. So strong, thank you for sharing it with us.