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05-11-2004, 04:26 PM
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#1
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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Oil sketch
I am commissioned to paint a portrait of the President of the University of Zadar (which was founded in 1396, btw).
This is a 12 x 16" preparatory oil sketch. It is actually a test painting, one that helped me to solve the most important problems (composition, color scheme, values, details etc) and to test the ideas that I might come upon during the work on a final, 32 x 24", piece.
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05-11-2004, 09:01 PM
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#2
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Associate Member
Joined: Aug 2002
Location: Port Elizabeth, NJ
Posts: 534
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This is a test sketch? I can't wait to see the actual painting, then. It's gorgeous; the color and detail are so richly painted. Are you planning to make any changes in the larger work based on this?
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05-12-2004, 08:26 AM
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#3
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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The size of the final painting will be larger, but the format is the same.
Perhaps I'll do some minor adjustments, since when you work on a larger scale (that is - when you blow up your sketch), some specific problems might occur.
However, being pretty happy with the composition, color scheme and the values, I do not think there will be any major change.
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05-12-2004, 08:45 AM
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#4
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Juried Member PT pro
Joined: Nov 2002
Location: Montreal, Canada
Posts: 232
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Very nice work Valentino. I really love the composition and the color scheme. I am eager to see the final piece. Keep us posted.
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05-12-2004, 10:12 AM
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#5
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Juried Member
Joined: Jul 2001
Location: Phoenix, AZ
Posts: 1,734
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Valentino, this is wonderful and strong.
Could we talk you into turning this post into a Work-In-Progress progression? I would love to have the opportunity to pick your brain a little, something not really "allowed" in the Unveilings section.
Here's a sample question that I have: Was the furniture behind his head darker in fact, and did you lighten it to make his head more prominent?
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05-12-2004, 02:44 PM
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#6
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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Linda, I accept your suggestion, but the painting will take some time, since I intend to employ layered approach. Therefore, it might pass a week before a new photo is posted. Besides, I have to work on some other, non-portrait commissions.
Regarding your question: you
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05-12-2004, 02:51 PM
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#7
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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Btw, I have seen the pics from Bill Whitaker's most recent workshop at the SAS.
What one can say? Great maestro, great portrait and (last but not the least) - a great model.
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06-02-2004, 05:20 PM
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#8
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Dear Valentino,
My apologies for not getting to post earlier. I think this will be a fantastic piece! I think I agree with you on the cabinet being darker. If you find it looks a little lopsided, you could probably solve it with some darker wainscoting to connect the figure with the right vertical edge.
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06-17-2004, 04:09 PM
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#9
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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I
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06-17-2004, 05:31 PM
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#10
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Juried Member
Joined: Mar 2004
Location: 8543-dk Hornslet, Denmark
Posts: 1,642
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Hi Valentino.
Thank you for sharing your painting process with us.
I think that you do right in moving the cabinet a little to the left to avoid the conflict with the Rectors head. This also make a better flow in the diagonal.
I hope that you will share many more of your thoughts along the way.
Allan
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