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08-08-2001, 10:33 AM
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#1
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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Fat over Lean and cracking
I broke the cardinal rule and painted a layer of very lean paint over a layer of fairly oily paint. Does anyone have any idea when I might see cracking, if it happens? Would it be weeks or years?
This is on a painting of my own daughters which I plan never to sell. I won't do this on a client's painting!
Thanks!
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08-12-2001, 09:49 AM
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#2
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FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
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Fat over lean
I have painted "lean over fat" without problems, but I use Liquin as my medium and I think that this negates the bad effects.
Last edited by Cynthia Daniel; 11-12-2001 at 09:07 PM.
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08-18-2001, 11:45 PM
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#3
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SOG Member FT Professional Conducts Workshops
Joined: Jun 2001
Location: Nags Head, NC
Posts: 51
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Lean over fat
Not smart! It might not take that long to crack, we're talking years counted by fingers on one hand! Of course there are many factors affecting the possible cracking, the main one being how long the lean was painted after the fat was applied. There are several Sargent paintings that exhibit cracks, and did so early, I'm sorry to say. Most of these have been restored, but a few fell through the cracks (silly me). He, unwisely, often reworked thick passages (having a tendency to use a lot of paint practically from the start of the painting) with thinner layers.
These days oils dry faster than even twenty or thirty years ago, so if you apply the lean 2 or 3 weeks after the fat (unless it's VERY fat), chances are there will be no cracking, Liquin or no Liquin (no medium is guarantee of cracking prevention).
Lean over fat is also not recommended in hot, humid climates, if there will be temperature changes where the painting resides.
If you must glaze or apply thin layers on top, paint the lower layers with acrylics (you can really build up lights this way for transparent upper glazing with oils using Liquin or other mediums, the more bodied the better). You may also use alkyd oils, but if you do - and they're fine for underpainting - wait at least 3 days to apply thin over fat.
Last edited by Cynthia Daniel; 11-12-2001 at 09:08 PM.
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