The dancer - Page 2

Cindy Procious · 03-20-2006, 08:47 AM

Excellent, dramatic photo. Wish it was mine!

To answer your question about size - if you paint this on a 16" x 20" canvas, her head will be about 2 1/2" high. How tiny are your paintbrushes?

If this were my photo (sooo jealous) I would plan a painting at least 24" x 30".... if it were mine. IF... (green with envy).

Monique McFarland · 03-20-2006, 10:18 AM

Quote:

Originally Posted by Cindy Procious

Excellent, dramatic photo. Wish it was mine!

To answer your question about size - if you paint this on a 16" x 20" canvas, her head will be about 2 1/2" high. How tiny are your paintbrushes?

If this were my photo (sooo jealous) I would plan a painting at least 24" x 30".... if it were mine. IF... (green with envy).

Well, IF it were yours, (but it's not, lol)......would you do the uncropped whole studio version, her off centered, or would you do the cropped closer version.....that would be IF it were yours, even though it's not......

BTW....I went to your site....very wonderful work....wonderful...(this picture lends itself to your soft approach...I'll have to study your work) and also drifted off to see your husband's cartooning site...very witty and impressive..you two must be a very fun couple!!

Please do let me know which view you prefer.....the cropped version is all about her...the uncropped version (needs straightening, I think, as I did with the cropped one)..is more about the dance theme. What do you think?

AND, which size canvas for each version? When you suggested the size you did, which version was that for?

Monique

Cindy Procious · 03-20-2006, 10:39 AM

SO mean! LOL.

If it were MY photo, I think it's all about the dancer, not the studio. But, that's just ME. Others might choose the full studio shot, if it were THEIRS (or if it was Degas). If I WERE painting it, I would choose the cropped version, and paint it LARGE. (if it were MINE, that is.) But, when I said I would paint her large, and I said 24" x 30" - that was in response to your comment that 16 x 20 was BIG.

I'm talking BIG. I would paint her on the biggest canvas I could get my hands on. (If, it goes without saying, the photo was MINE.)

And, thanks for your kind words. Yes, my husband is quite the character.

Monique McFarland · 03-20-2006, 10:42 AM

Here is the larger composition, straightened out...I don't want to crop the white edges out because I want to keep the view and will adlib the missing parts...I don't care for the seam in the floor either...and will do away with some of the other distractions (something on the bar on the right side...but the light and shadows on the right wall there do add some interesting things to this. Windows are necessary because of being the light source for the lighting effects on her. Is this correct or is there just not enough light on her to warrant the window on the right wall? the left side window is imperative, right? or should that distraction be eliminated also? There is only a hint of it anyway. I could crop it off where the bar mounts to the boards on the wall...it could end there and have the inference of the window only come from the light and shadow on the right wall.

Did this paragraph just make sense?

Cindy Procious · 03-20-2006, 10:47 AM

Quote:

Originally Posted by Monique McFarland

Did this paragraph just make sense?

Not in the least.

I think you should just give up. And, give someone else the photo.

Monique McFarland · 03-20-2006, 10:51 AM

I am sitting here worrying about going pretty large with this because the photo is so blurry..even the best version is still rather blurry....I keep forgetting..this is NOT a portrait commission. It is a themed painting of a person I have never, and will never, meet, who does not require a perfect likeness...........so, this being said, I need to lighten up and just enjoy this. Adlib what I can't see well...have fun with it..right? This will be about color and the play with light..not about the exact color of the irises of her eyes....It will be about shapes and composition and drama. It will HAVE to be somewhat blurred, whatever the scale of it...which is not me..but is something I want to do, very badly...and WILL learn this go 'round.

Still contemplating composition and size.

Monique McFarland · 03-20-2006, 10:52 AM

Quote:

Originally Posted by Cindy Procious

Not in the least.

I think you should just give up. And, give someone else the photo.

NICE TRY.....It's mine, remember? not yours....just thought I would remind you again, for the 4th time in 20 minutes.

You're fun, you know that? I think this is a great start to a dreary Monday morning here in the deep south.

Cindy Procious · 03-20-2006, 11:02 AM

Is it dreary down there? Up here in New England, it's sort of sunny, but frigid cold.

By the way - I grew up in Huntsville. I was the editorial cartoonist for the Huntsville Times for 5 years.

Gave it up, though, for painting.

So, why don't you go down one thread and give me your opinion on my photos?

Oh, and since you obviously aren't going to give me the photo... for what it's worth... I think if you do a fuller view of the dance studio, you should probably crop out the body shadow on the wall on our right. Although it's cool, I think it would compete with the girl for the center of interest.

Just a thought. Or, you could just NOT paint it. LOL.

Monique McFarland · 03-20-2006, 11:04 AM

BTW, I only received permission from the photographer to paint from this, not to sell the painting....sorta wondering how to change that....pay what he wants for the full rights? He isn't charging me a dime to paint from this. But, It was suggested to me that if this did get juried in and happened to place in the show, someone may want to purchase it. Doesn't mean I would have to allow it, but it would be nice! so, how do you handle that at this point? suggestions?

Cindy Procious · 03-20-2006, 11:06 AM

Quote:

Originally Posted by Monique McFarland

BTW, I only received permission from the photographer to paint from this, not to sell the painting....sorta wondering how to change that....pay what he wants for the full rights? He isn't charging me a dime to paint from this. But, It was suggested to me that if this did get juried in and happened to place in the show, someone may want to purchase it. Doesn't mean I would have to allow it, but it would be nice! so, how do you handle that at this point? suggestions?

Offer a percentage. Get the deal with the photograher BEFORE you get an offer from a buyer.