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Old 12-28-2004, 03:32 PM   #11
Cindy Procious Cindy Procious is offline
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It's not the perfect lighting situation, but it's not bad. It was the white balance that was off in your shot.

In addition - if you were to do this shot - I'd soften the wrinkled worry look on her forehead.
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Old 12-28-2004, 05:16 PM   #12
Marvin Mattelson Marvin Mattelson is offline
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The point is we did see the other one. But that's really besides the point. The key is to ask yourself if any of these really do her justice. If the answer is yes then why are you posting these? Obviously you know something's lacking so you're asking for permission to assume one of these is workable.

Permission not granted! The answer is always inside you.
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Old 12-28-2004, 05:53 PM   #13
Mary Sparrow Mary Sparrow is offline
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Point taken. You are right. I just REALLY wanted to paint her, had a fleeting 10 minutes to try to snap some things before they left for home once the urge hit me.

The "pearl girl" picture, as mentioned before was taken as a "snapshot".

My main reason for showing the first three was to see if I was getting the hang - (in your professional opinions) of setting up the light properly when I am taking the pictures. For years I never understood what I was even trying to do with the camera.

I don't know what posessed me to throw that third one in there except for the fact that it was my personal favorite, despite the poor lighting. I think I was secretly hoping someone would tell me to use it!

The expression in the first one however, really captures "Sarah".
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Old 12-28-2004, 06:13 PM   #14
Chris Saper Chris Saper is offline
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Mary,

Yes you defintiely have the "hang " of it - the lighting in the first three is gorgeous, and they would be a pleasure to have as resources.

The Pearl Girl , though is so very compelling, and I think really the most engaging image. Cindy, nice job of tweaking the temp - Mary, if you have the time, why don't you just give it a try? The biggest problem may be the resolution. There is though a lot going for this image, even if you end up not using it as a portfolio piece. ( I have thrown out tons of portraits, as I am sure everyone here has) There is the challenge of two different lighting temperatures, which would be great fun, and a useful exercise. Lovely reflected color as well. You will want to play with the value of the background befor you begin, especially if you are going to do a vignette with La Carte. You might go with a different color/value paper in that case.

Here's a later PS:

Think about painting this as a study to work out all that you want - then when you photograph her again you will know just what you want to do, not just lighting, but background, clothing etc.
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Old 12-28-2004, 07:13 PM   #15
Kimberly Dow Kimberly Dow is offline
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Personally I love the first one - it has a nice angelic look going on. She looks more innocent in that one as well. The pearl one is great, except for that furrowed brow thing going on.

Just my 2-cents.
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Old 12-28-2004, 10:54 PM   #16
Denise Hall Denise Hall is offline
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Wow, what a model! Get her back Mary and paint those blue eyes...........The Girl With The Pearl - I'm always after that pose myself!

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Old 12-29-2004, 08:28 AM   #17
Mary Sparrow Mary Sparrow is offline
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Marvin and Chris, I have to tell you I was thinking about your comments a while ago and had to chuckle to myself as it reminded me of my children going to my husband for permission and he saying NO and they come to me after that no hoping I will give them a yes.

Kimberly, that is my sister in laws favorite, she doesn't like the Pearl Girl one at all.

Denise, she is in YOUR neck of the woods so why don't you do me a favor and run over and get both of us some great resource photos, I know she would be quite flattered! Otherwise, this reshoot will have to take place later in 2005.
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Old 12-30-2004, 08:33 PM   #18
Denise Hall Denise Hall is offline
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Well, Mary,

I guess we will just have to see what we can do about that! I do have my new digital which I am dilligently learning to use page by page. Maybe by next month I will know enough about it to take a good picture of her! I have found some great sites about using my Nikon 8700, which are cutting down on reading the manual time.

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Old 12-31-2004, 07:33 PM   #19
Michele Rushworth Michele Rushworth is offline
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Mary, I must weigh in on the side of those who recommend you not spend time painting from any of these. Time is your most important resource, by far. The facial expressions in all of them seem a bit off to me -- either grouchy or false.

I'm sure there must be a few other lovely young ladies in North Carolina. Grab one of them and shoot some PERFECT photo reference, with a subject who is exquisite and whom you just can't wait to paint. Create a GREAT sample for your portfolio, not a "just okay" one for practice.
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Old 12-31-2004, 08:20 PM   #20
Mary Sparrow Mary Sparrow is offline
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I agree, I am bagging the idea for now. I have plenty of paid work that needs to get done anyway. I got a whim, and that whim has now passed. But I will definately plan on spending plenty of time shooting her the next time she comes to visit. Either that or see how well Denise learns to use her camera

I did find one more "Pearl Girl" pose, but think I will pass.

Thanks for reminding me not to settle.
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