Help with new studio lighting please

Marvin Mattelson · 10-07-2009, 11:17 PM

Make sure the skylights are angled no more than 15 degrees or sunlight will enter. You may need to dormer them.

The fluorescent tubes could be between the skylight and the window or they can be placed in between the two skylights. Make sure you get 6500 degree kelvin tubes to match the color of the natural light with a high CRI. Lumichrome bulbs are the best.

Good luck.

Joan Breckwoldt · 10-07-2009, 11:36 PM

Thank you Marvin for your reply, I read one of your earlier posts about the artificial lighting, thank you.

Well, the skylights might be a problem. The pitch of the roof is close to a 45 degree angle. We already have the two skylights. Maybe the best thing would be to just build a dormer to hold a window facing north on the roof. That would be more costly and complicated and this job has already gotten more complicated than I thought. Probably the story of all remodels . . . .

If my model and easel are not directly under that skylight in any direct light, is it really that much of a problem to have some direct light coming in the skylights? I think tomorrow I need to test this by watching the sun and making a little model of a skylight to see how much sun really would come in.

Okay, you've got me worried about the skylights . . . .

Joan

Joan Breckwoldt · 10-08-2009, 12:00 AM

Okay, thanks to the post by Marvin we have a better plan, I just talked to the contractor. We are going to build a dormer with windows facing north. Tomorrow the two skylights go back to the store.

Marvin, I can't thank you enough!!!

Joan

Marvin Mattelson · 10-08-2009, 10:11 PM

It was my pleasure.

Before you go forward you should do some serious research on artists' studios.

I did a search for Norman Rockwell's studio and found the following image of his north windows from the exterior and this link to a video: http://www.yankeemagazine.com/issues...l-studio-video

Clayton J. Beck III · 10-10-2009, 12:14 PM

Hi Joan and Marvin,

American Artist Magazine has just put out an issue called Studios. (I am one of the contributors to one of the articles on lighting.) It has a lot of good advice for studio set-up.

My advice is always to figure out the paintings you think you will want to paint and then build the studio to create that. Too many people build a studio solely on others strong advice and then find out that their paintings are all looking like the person's work who gave the advice. In other words, know what you are trying to create and then make your studio give you the closest set-ups to your vision. If your vision of your future work is weak, then you have a real problem because sometimes the studio one builds actually over powers their developing vision and makes it difficult to grow.

Good luck and I hope you will post photos of your remodel.

Clayton

Joan Breckwoldt · 10-10-2009, 03:57 PM

Dear Clayton, not only are you a contributing author to that article, your beautiful paintings are featured in the article! I had to go downstairs to get the magazine from the living room - I've spent hours dreaming about the studios in that magazine sitting on my sofa! - and I had bookmarked the page containing your painting of the nude on the sofa! Beautiful work, also the head is amazing two pages later.

I did read that article and it was very helpful with regard to artificial light, I will be using artificial light too. I have a north facing window and now we're adding a dormer on the roof with a 5' wide x 2' tall window. Surely that'll get me a good amount of north light. The window will be vertical (thanks Marvin).

I'm not sure where to put the artificial lights. I bought two flourescent boxes holding 4 lights each. In my mind they should supplement the artificial light so they should be as close to the windows as possible. Maybe one right below where the dormer starts? That's about the only place it'll fit. If I put it above where the dormer is cut out, it'll basically be overhead lighting. Oh, maybe on either side of the window in the wall. I think I'll have to post a photo to make all this clear.

Thank you Clayton for your advice about making the studio what I need and not what any other artist needs. I do have the advantage that I've been painting in that room so I am familiar with the lighting as it is (without the addition of the roof dormer). And I'll be painting models from life, and a client when I can get one to pose, so that at least narrows down the conditions I need.

Joan

Joan Breckwoldt · 10-10-2009, 04:08 PM

Clayton, in the article it says you have a diffuser over the tray of flourescent light tubes. What kind of diffuser? When I went to Home Depot to look at the light trays, some had clear . . I imagine it was textured plexiglass, and some had a diffused acrylic covering. I was afraid that particular covering would alter the color, it looked to have a yellow tint, but then again was standing in Home Depot and didn't have the best circumstances to judge the light output from the sample lights.

We talk a lot about lighting the model, but sufficient light needs to be on my canvas and palette too, right? I've always heard it should be the same light. I don't think I'll be able to position my easel to catch as much north light as the model will get, the room just isn't that big. How do you suggest I light the room? A bank of these tubes up on the ceiling, but not too bright that it disrupts my shadow patterns on the model? thank you!

Joan