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Old 02-28-2009, 02:48 PM   #1
Valentino Radman Valentino Radman is offline
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Self portrait




This is self portrait which I completed today. I have done a couple of SP's before - one of those can be seen on my website - but this one is with short hair (I recently cut it, after having had long hair for rather long time).
The painting measures 14x11 inches.
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Old 02-28-2009, 04:52 PM   #2
Carlos Ygoa Carlos Ygoa is offline
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Wonderful self portrait Valentino! It has a feeling of immediacy and a very strong presence. I like it very much.
Do you have a skylight in your studio or some very high cathedral window? Or was this done outdoors?
Thanks for posting this.
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Old 03-01-2009, 11:02 AM   #3
Alexandra Tyng Alexandra Tyng is offline
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Valentino, I always like to see how artists describe themselves, and this is no exception. The sideways glance toward the light (and the equally sideways glance of the light) gives it an enigmatic expression. It looks like you've stopped to ponder a big question. Maybe it's just a mood, maybe it's more of a personality trait. You have done such a good job with the planes of the face and the value changes. Seeing that shadow against the pure white background is startling. I think it increases the effect I described above.

By the way I like your haircut!
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Old 03-01-2009, 11:19 AM   #4
Carol Norton Carol Norton is offline
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What a Powerful Self-Portrait!

Valentino, this is a very powerful self-portrait. I am really drawn to it as strong contrast has always attracted me. Placing nearly the whole face in shadow was masterfully done and has inspired me to try some things that I had wanted to do that are primarily in shadow. Thanks so much for posting this.
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Old 03-02-2009, 09:03 AM   #5
Josef Sy Josef Sy is offline
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This is beautiful, Valentino. Congratulations.
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Old 03-02-2009, 09:59 AM   #6
Valentino Radman Valentino Radman is offline
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Thank you. The challenge here was to keep the value range within the shadow very narrow, yet at the same time broad enough, in order to describe the form(s) and avoid dull, flat look. The same goes for the flesh hues, as well.
As for the chroma, all paints I used were heavily desaturated.
(It is difficult to see the nuances I am speaking about here, since they are lost in reproduction).
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Old 03-02-2009, 10:07 AM   #7
Valentino Radman Valentino Radman is offline
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Btw, this close up is larger than that area in the original painting.

(Besides, it seems that SOG software stretches pictures. The image attached in my post is larger than 398x543 pixel jpg I uploaded.)
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Old 03-02-2009, 10:39 AM   #8
Carol Norton Carol Norton is offline
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question Palette, Please?

Valentino, would you share your palette with us? I can see what I THINK you used to achieve those tones, but I'd really like to know for sure. Colors also change so radically on a computer screen that it would be very interesting to read how you achieved the shadow colors.
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Old 03-02-2009, 01:06 PM   #9
Christy Talbott Christy Talbott is offline
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Beautifully done Valentino!
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Old 03-03-2009, 06:55 AM   #10
Valentino Radman Valentino Radman is offline
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Here's my palette:
flake, ochre, raw sienna, cyprus orange, red ochre, vermillion, alizarin, raw umber, warm sepia extra, payne's gray, davy's gray, transparent pink gray, prussian blue
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