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11-24-2008, 06:11 AM
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#1
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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Monochrome oil sketch
Well, strictly speaking, it is not completely monochrome; I used only one pigment - umber, but in raw and burnt form.
This is a portrait of my friend. It measures 12x9.
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11-24-2008, 07:22 AM
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#2
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Juried Member PT Professional
Joined: May 2004
Location: Americana, Brazil
Posts: 1,042
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Very beautiful.
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11-28-2008, 02:48 PM
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#3
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Gorgeous.
Did you paint this portrait in one session? How did you contend with the paint as it began to dry? I would love to hear about the actual process and how you applied and managed the paint!
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11-28-2008, 03:24 PM
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#4
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Juried Member
Joined: Jul 2001
Location: Phoenix, AZ
Posts: 1,734
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I like this, Valentino!
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11-28-2008, 03:44 PM
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#5
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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Thank you.
Yes, I painted this portrait in one sitting. I didn't have any problems with quick drying; on the contrary. I used WN Raw Umber, Old Holland Burnt Umber and a mixture of turp and linseed oil for making paint more fluid. I usually do not dilute paint with anything, but I wanted this one to dry as fast as possible.
My original intention was to make an imprimatura and proceed with glazes, but ultimately I left it in this stage. I liked the way it looks; I thought it possesses a certain "freshness" which might have been lost if I had brought it to a higher level of finish.
Most of the time I used large flat bristle brush. Small filberts were used in the very beginning (for a drawing) and in later stages for finishing details.
Here are a couple of wip shots.
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11-29-2008, 12:34 AM
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#6
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UNVEILINGS MODERATOR Juried Member
Joined: May 2005
Location: Narberth, PA
Posts: 2,485
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Valentino,
Wonderful! You handled the umbers so well. I like her long fingers and the transparency of the shadows. Thanks for taking the WIP shots and posting them!
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01-07-2009, 12:14 AM
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#7
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SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
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Valentino,
This is stunning and very fresh! I love how you combined such lively brushwork within the elegance of the monochrome. It successfully makes an interesting contemporary expressive portrait in an active compositional genre that is normally relegated to photography. Catching your subject in motion on the phone is truly rare in painting, and perhaps the monochrome aspect of this portrait is what unifies it so well.
Garth
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01-07-2009, 12:45 PM
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#8
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Juried Member FT Professional
Joined: Dec 2001
Location: Zadar, Croatia
Posts: 75
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Thank you. I am glad you liked it.
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01-07-2009, 01:18 PM
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#9
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SOG Member '02 Finalist, PSA '01 Merit Award, PSA '99 Finalist, PSA
Joined: Jul 2001
Location: Greensboro, NC
Posts: 819
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Valentino--
Very strong work! Thanks so much also for the work-in-progress pictures, too.
__________________
TomEdgerton.com
"The dream drives the action."
--Thomas Berry, 1999
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