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07-13-2008, 08:35 PM
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#1
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Dear Mary,
My apologies for not responding sooner! I think you are moving in the right direction, given your goals of improving your edges and painterly surface quality.
I think you have done an excellent job on the figure placement/composition
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07-13-2008, 09:58 PM
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#2
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Juried Member
Joined: Jan 2008
Location: Falmouth, ME
Posts: 68
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Thank you Chris,
Those are very good suggestions that I will try as soon as I get back in the studio. I am still looking for that photo. The reference was taken outdoors in a rather overcast autumn light so it does have a somewhat bluegrey cast
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07-13-2008, 10:22 PM
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#3
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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PS Light backgrounds aren't a necessary problem, and I have seen many wonderful pieces with light grounds.
I think that the issue is to stay true to your subject. Very obvious paintng from life, but much less so trying to deal with a photo,esecially if you are trying to renvent background/light sources etc. I really think you have to start with an image of tonal compositions.
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09-30-2008, 03:37 PM
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#4
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Juried Member
Joined: Jan 2008
Location: Falmouth, ME
Posts: 68
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I have made some subtle changes here. I had a real struggle with the eye. Just want to see what you think of it now.
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