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Old 01-11-2008, 06:24 PM   #1
Steven Sweeney Steven Sweeney is offline
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I took a workshop in Australia from a painter named Robert Hagan, and I immediately thought of him as I read the description of your painting. For whatever reason, he loved to paint women standing in various bodies of water.

Here's an Amazon link to his book, "Romantic Oil Painting Made Easy"--

http://www.amazon.com/Romantic-Oil-P.../dp/1929834292

Click on the image of the cover to blow it up full-screen. Maybe there's something in that set-up that will suggest a course of proceeding.
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Old 01-11-2008, 11:11 PM   #2
SB Wang SB Wang is offline
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Kinstler's portrait of Mrs. Dupon is praised for treatment of motion in a book.
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Old 01-12-2008, 03:29 PM   #3
Steven Sweeney Steven Sweeney is offline
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Yet another representation of movement over time might be made through pentimenti
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Old 01-13-2008, 10:23 AM   #4
Richard Monro Richard Monro is offline
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[QUOTE=Steven Sweeney]Might be tough to pull off, though it
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Old 01-13-2008, 12:05 PM   #5
Carolyn Bannister Carolyn Bannister is offline
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Have a look at Nicholas Uribes site, he has done a few especially in the 2006 gallery. I particularly like this one http://www.uribearts.com/p7hg_img_1/fullsize/37.jpg

I think the ghost image idea would work really well.

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Old 01-16-2008, 11:23 AM   #6
Michele Rushworth Michele Rushworth is offline
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There's a painting of an orchestra conductor with his baton hand in motion that may have been painted by Kinstler or Michael Shane Neal that works well. Also one of the paintings in the current traveling show by Cecilia Beaux depicts a small child being led by the hand. There is a real feeling of motion around her skirts at the floor level.

A subtle combination of blurring, painted strokes that follow the direction of the movement and duplicate "after images" seem to do the trick
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Old 01-16-2008, 12:11 PM   #7
Allan Rahbek Allan Rahbek is offline
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Richard,
a certain repetition of forms and brushstrokes, in the painting, may mimic the illusion of movement.

Michele said: "A subtle combination of blurring, painted strokes that follow the direction of the movement and duplicate "after images" seem to do the trick".

Maybe not as cartoonish as Giacomo Balla did, but it is a fine illustration.
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