Paint Now . . . Stretch Later?

[Thomasin Dewhurst]

Originally Posted by Thomasin Dewhurst

Richard - you are invaluable!

When I say "Richard", I mean "Richards". Thanks Richard Budig for asking the question and thank-you especially, Richard Bingham for answering it in your usual brilliant way.

[Richard Bingham]

Aw, shucks, Thomasin! It's my pleasure to offer my experience to this forum, I hope it's helpful now and then. Over the years, I've been very fortunate to have made my living working with a very wide variety of materials and methods in painting and art-related fields.

None less than Rubens himself rolled paintings for transport! The best (only?) way is to roll the painting with the painted side outward, preferably over a rigid core, such as a card-board tube with a minimum diameter of 3". (the larger, the better!)

This way, any fine cracks that result from the stress of being bent into a roll will close up when the piece is flattened. Rolled the other way, (paint-side inside) unrolling the canvas may actually pop bits of paint off, if it's quite thoroughly dry and has become at all brittle. Of course, the older the painting, the greater the risk, since ultimately, all oil paint films will become brittle as glass (that takes over 100 years in most cases).

[Lesley Grindlay]

Thank you Richard, I appreciate ur advice, this is certainly a weight off my mind. Although painting now, dealing with it later is convenient and quick, storage is a pain when they're wet. however I found a solution to that, i strung a wire cord from one end to another end of my studio and hang my wet canvases with clips. Still all the loose canvases are a pain, i'm going to opt for painting directly on primed panels or glueing canvas to panels.