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05-01-2007, 10:04 PM
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#11
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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So nicely done, Garth - so much is there, but so subtle. Understated like you describe the man to be.
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05-01-2007, 10:59 PM
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#12
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Bravo, my friend
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05-02-2007, 11:07 AM
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#13
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Juried Member
Joined: Feb 2004
Location: Perris, CA
Posts: 498
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Wicked good
see ya..... tomorrow!
-D
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05-02-2007, 07:01 PM
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#14
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!st Place MRAA 2006, Finalist PSOA Tri-State '06, 1st Place AAWS 2007
Joined: Oct 2004
Location: Kernersville,NC
Posts: 391
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What a great departure from the normal "presidential" portrait. I am happy to see the high key treatment as it is unexpected in this type of portraiture.
I understand, I believe, that it is part due to the nature of the assignment but to take it to this conclusion shows a great understanding of your craft and a bit of "can do" type of personality.
Congratulations, Garth, on another beautiful portrait and for your ingenious creation.
__________________
John Reidy
www.JohnReidy.US
Que sort-il de la bouche est plus important que ce qu'entre dans lui.
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05-02-2007, 08:21 PM
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#15
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SOG & FORUM OWNER
Joined: Jun 2001
Location: Tampa Bay, FL
Posts: 2,129
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Great skin tones and so alive!
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05-05-2007, 09:07 PM
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#16
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Juried Member
Joined: Mar 2004
Location: 8543-dk Hornslet, Denmark
Posts: 1,642
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Hi Garth,
as usual........etc.
I also like that you have "undermined" the formality of the project by making the design of the background less pompous with an almost humorous touch, bravo! This might add to the characteristic of the stander.
The study of the shaded parts of the head tells me all I need to know about painting skin.
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05-08-2007, 12:04 PM
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#17
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Juried Member
Joined: Apr 2004
Location: London,UK
Posts: 640
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Garth, I don't know why I missed this.
I am absolutely charmed by the beauty of the grays in the background, they make the painting even before having a better look at the subject.
I feel that in this work you might have been more interested and involved in the painting itself than in some of your previousworks on judges. I think your rendering of lights has reached an all times high here.
I am afraid I will have to borrow those greys for one of my work sooner or later, do you mind?
Ilaria
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05-08-2007, 02:31 PM
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#18
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Juried Member FT professional, '06 finalist Portrait Society of Canada, '07 finalist Artist's Mag,'07 finalist Int'al Artist Mag.
Joined: Feb 2006
Location: Montreal,Canada
Posts: 475
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Great work, Garth!
Sorry I didn't have the time to answer sooner...
I love the strong simplicity of value massing. The background is fascinating for me, it makes me think to those luminous interiors of dutch paintings.
Thanks for sharing.
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05-08-2007, 03:56 PM
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#19
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Finalist ARC 2010-11 Salon, 3 place award of Merit PSOA 2011, Finalist for the 2011 Kingston Prize, Grand Prize 2006 PSOC, 2012 May cover art winner Professional Artist Magazine
Joined: Oct 2001
Location: Montreal, Canada
Posts: 49
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Masterfully done Garth! Congratulations. I have a question regarding the background. I assume that the image at the bottom right is an armrest, was there a reason for placing two chairs down there...was it a balance issue? Why just the armrest? Love your portraits. Thanks for posting it. We all learn from your work.
Steven
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05-09-2007, 12:15 PM
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#20
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SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
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Thanks everyone!
Hi Steven, good question!
First let me thank: Tom, Thomasin, Julie, Chris, David, John, Cynthia, Allan, Ilaria, Marina, and you for all your high level of praise I never quite expect!
This was a simple modestly budgeted commission, and with respect to that I tried to keep the process as simple and direct as possible. The reference image I took with my camera included these armchairs as shown; these elements just happened to be there. I did edit out a number of other details, like the door and doorknob, making it merely a color field. I did like for psychological associations, having the chairs remain, as they seemed to connote a relationship this president has with others in his office. I thought the shapes were interesting too.
Thanks again,
Garth
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