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Old 03-25-2007, 12:15 PM   #1
Heidi Maiers Heidi Maiers is offline
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Thanks Mischa, the client was very happy with it and so far, and has ordered several busts (miniature and full size) which will keep me busy for a while.
Chris, probably as in painting, most of the time is spent in working out the likeness. Aren't small portrait paintings generally a lot less money?
Lacey, you have quite the imagination yourself - I see all the unique paintings you come up with and post over at Artists Guild.

Here is the second bust I started yesterday. It is the same woman, only much older this time. Looks a little scary without eyes - will add those today. It's best to get the surrounding bone and socket right first to save yourself a lot of rework if you put them in too early.
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Old 03-25-2007, 12:59 PM   #2
Chris Saper Chris Saper is offline
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Dear Heidi,

It is so interesting to hear a sculptor's perspective!

I guess I would say, at least for me, that an enormous amount of time goes into figuring out the composition..then the next big chunk of time goes into working out the values..the last chunk of time is in executing the details and likeness.

You needs for composition must be so different - you have to compose against "space" and it has to work 360 degrees.

And no, small l portraits typically don't cost less than larger portraits - you'll most commonly find them priced by body parts - as a proxy indicator of the relative time and complexity involved. I don't charge any differently for a small head/shoulder/ than a life size head/shoulders. I charge more with hands, etc, regardless of the figure/canvas size.
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Old 04-02-2007, 09:29 AM   #3
Alexandra Tyng Alexandra Tyng is offline
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Heidi,

These are fascinating as a character study. Are you going to sculpt her at three different ages? It struck me that it would be interesting to see her as a child and a teenager, too.
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Old 04-02-2007, 12:48 PM   #4
Thomasin Dewhurst Thomasin Dewhurst is offline
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Lovely, really well felt pieces.

You should charge by the time it takes to do a piece, not by the size, I think. It's your intelligence and sensitivity as an artist clients are paying for, and not just the amount of material you use (but I've sold things for under $100 when they are worth over $300 just to get a sale and to give my work a home).

Always looking forward to more posts by you, Heidi.
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Old 04-02-2007, 09:01 PM   #5
Heidi Maiers Heidi Maiers is offline
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Thanks for your input Chris, Alexandra, and Thomasin.
Chris, I tend to agree that charging by the inclusions sounds like a reasonable way to price a portrait
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Old 04-04-2007, 02:02 PM   #6
David Carroll David Carroll is offline
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Very nice. Are you going to patina the polymer?
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Old 04-10-2007, 11:20 PM   #7
Heidi Maiers Heidi Maiers is offline
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Thank you David,
Yes, I made a mold of it to make a miniature bronze, and then patina'd this polymer one and sent it to my client.
We all need more clients like this. He got it today and was so thrilled with it that he decided he had to have a life-size bronze version of her at this age too. I will be doing the patinas on all of the bronzes too. So far, that's 7 busts. 3 down, 4 to go. Some day I will be brave enough to do this full time, but not today...

Quote from client made my day - makes it all worth while:

"You captured her so perfectly that I just have to have it done life size...please don't cancel the small bronze one- I will take that to my beach house.

I can't tell you how impressed I am with what you do with your hands - it is miraculous - absolutely unbelievable. It is just as if my mom were in the room with me... Thank you so much..."
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