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Old 03-02-2007, 12:38 PM   #1
Karine Monaco Karine Monaco is offline
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Tom,

In French, I would say "Chapeau bas !".
This is the first posthumous portrait made from a W/B picture that I look at with so much admiration.
The drawing is perfect, the colors in the background beautiful, and the harmony with the colors of the head gorgeous.
Like David I wish I could see it in person too.

I am deeply impressed and will definitely try your technique if I ever have to work with a W/B reference picture (which situation I try to avoid actually, as the reference pictures are generally not that good).

Thank you very much for sharing your experience.

Sincerely,
Karine
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Old 03-02-2007, 05:01 PM   #2
Claudemir Bonfim Claudemir Bonfim is offline
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Wow! That's great!

Lovely colors.
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Old 03-02-2007, 06:26 PM   #3
Tom Edgerton Tom Edgerton is offline
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Thanks, everyone....

Karine, "merci et les meilleurs souvenirs!"
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Old 03-02-2007, 10:54 PM   #4
Chris Saper Chris Saper is offline
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Dear Tom,

A resourceful approach and a successful outcome!
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Old 03-09-2007, 09:29 PM   #5
Linda Brandon Linda Brandon is offline
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Tom, you have done such a wonderful job here. Anybody who has ever tried painting a posthumous portrait with difficult photo resources knows how tough it is to do. I really admire your work on this one and of course I will think about stealing your ideas on one of the projects on my backburner.

Seriously - thank you again for all the information and generosity on this Forum, I know I am not the only one who always learns so much from you.
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Old 03-10-2007, 10:33 AM   #6
Tom Edgerton Tom Edgerton is offline
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Thanks, Linda.

Everyone here contributes on a high level. The standard for all of our work has risen tremendously since I came back to painting about twelve years ago. This forum is an integral part of that advancement, to my mind. We all teach and learn from each other.

Best--TE
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Old 03-10-2007, 11:49 AM   #7
Michele Rushworth Michele Rushworth is offline
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Great idea -- thanks for taking the time to share it with us!

David, this is also a very interesting bit of information:
Quote:
You know Bougeureau - as I understand it - in order to be able to paint those little cherubs, would often go to the Louvre and do some drawing studies of statues of small children to get the poses
I wondered how those old masters got those very young children to pose.
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