Visitors' poll

I'd like to pursue portrait painting but I consider myself a student at best and most of my work shows it. I enjoy reading, learning, and viewing others' works but I can't yet make any meaningful contribution to the discussions on techniques and portraiture.

I believe I could find a couple of my works capable of securing my membership but the whole process, even the idea of it, doesn't sit well with me. Perhaps it's because I'd be gaming the system with my best. Perhaps it's a fear of not being accepted anyway. Or perhaps it's because I've never wanted to post to ask questions but to make contributions to threads on cameras, books, searches, materials (sources and references) etc. where I had the very answers others were seeking.

There's very little to gain for the effort of joining, especially since there several open forums with (some of the very same) skilled, knowledgable, artists available to answer.

My goal is to send some samples of my work for consideration by the end of May. I would love to participate in the forum -- it is rather strange to get so much information from such generous people and not communicate my gratitude. Warmest regards.

I'm registered here but I can't really post as this entire site is on google and people I work with/for google everything and everyone.

[Cynthia Daniel]

Originally Posted by Unregistered

I'm registered here but I can't really post as this entire site is on google and people I work with/for google everything and everyone.

I understand. But, we don't want to make the Forum password protected because we'd seldom get new members.

I would love to become a member, however my work is all done in colored pencil and thus does not compete with oils or even pastels. I do a lot of portrait work and really wish you allowed colored pencil portraits.
Maurica Midge Reynolds-King

Yes, it quickly became obvious that your only reason for asking the question was to get feedback that supports your choices, because you've chosen to ignore, excuse, or argue every comment that doesn't.

So let me start by saying that I've assisted in starting and running several online forums (non-art), all with memberships and activity levels well above this. Despite your claims, it's not that time or money intensive - unless you haven't taken the time to learn what your doing or you're getting shafted by your hosting company.

Let me follow by quoting your reply to another: "You are missing the sense of community that is created by a Forum such as this and it's obvious this is not for you."

I'd suggest that you take the time to look through your membership list then go and visit the various other online art forums. Cennini, ArtQuorum, OAG, WetCanvas, ConceptArt, EggTempera, SoFA, Art&Artistry, and others are available. Take note how many of your members, who rarely if ever post or show any activity here at all, are very active in participating elsewhere.

This is a forum that's sorely lacking in a sense of community and incentive to participate. You don't have the critical mass of posters necessary to keep the forum active and members near, else fewer would spend so much time elsewhere and so little here. You've created your nice little gated community but put in place so many covenants and restrictions that what few qualified residents you can attract will quickly tire and move on out of boredom, leaving the community to languish.

There's nothing wrong with your goal for this forum or most of your restrictions as this is tied to the business. However, for you to outright dismiss each and every suggestion that would encourage participation and growth because they differ from your near-sighted choices is just assinine.

Why ask a question in this forum if there's rarely anyone here to answer it? Why ask for opinions if there's always the same two or three? Why offer advice, insight, suggestions, articles, works, etc. if there are few there to acknowledge ot take advantage of it?

If you would open up this forum just a little, in select non-professional categories to a verified but unjuried class of member, you'd increase participation which would draw your juried members out of hibernation and benefit all.

I think the difference between this and the other forums you mentioned is that the Portrait Artist Forum is an aid to work and the other forums are are like well-needed chats. You have to work a little harder on the PAF to post and there is an incentive here to remain honest and rigorous. It goes without saying, then, that fewer people would participate, but the quality of the posts greatly outweighs their small number. The PAF is necessarily different from other artist forums and invaluable because of it.

Oh, thanks for pointing out my mistake for me. The reason current, already vetted, members are posting their works for discussion and critique elsewhere is because those forums are less serious. The reason current, already vetted, members are having serious discussions about art techniques, materials, and the like on other forums is because those forums are less serious.

When members who have already been through the vetting process are taking their discussions on art, materials, techniques, composition, portraiture, and so on to other forums and/or seeking critiques there instead of here then that says something about this forum. That something is NOT that there is more incentive to remain honest and rigorous - it's that there's not enough incentive or reward for them to bother participating here. That directly relates to not enough participation by the existing membership because I think we all know there's not a lack of skill or talent around here.

This isn't a comment about needing an open door policy on posting, or a suggestion that the focus is too narrow, or that there's no basis for the policies. You don't have to become a massive open begginers forum like WetCanvas or a harsh Whips and Chains forum like Cennini, but what you have here isn't working very well and that's obvious if you look at the limited participation by current members.

Go ahead, tell me that this forum wouldn't be vastly improved and substantially more useful of you were to coax current members into becoming more active. You know it would, but they have little or no reason to - there's just not enough participation or community to encourage it.

Time to drop those snobby noses a bit and recognize that a little, just a little, diversity can reap great benefits.

Well I like it, anyway.

[Mark L. Staker]

I've enjoyed this site as well. I appreciate Cynthia Daniel's efforts in creating this forum for those interested in quality input toward their work and to the moderators and others who contribute their time to help us all become better. Although this is the first time I've posted, which I'll explain below, I've been a member for some years now. I joined Wet Canvas and other sites several years ago as well but have only continued to visit this site because I rarely have time for "chatty" or social elements that are often part of many discussion groups but I'm interested in well informed input and insight that I find here regularly.

I'm one of those who went through the admission process and was accepted to the site but subsequently haven't posted anything. The reasons I haven't are complex and I'm not sure if I can adequately share them. However, I'll give it a shot.

Although there are minor issues (such little things as I haven't taken the time to get a little picture to accompany my comments, etc.), there are two primary reasons why I haven't participated--both related in some ways. I'm basically selfish and too self-critical.

On the selfish end of things, I see this forum as a real community of artists; and like any community it takes time--time to be civil, prepare thoughtful responses to others queries, craft a question that will be helpful to everyone, and so on. It's too easy to come to the site, read for a few minutes, and move on to other things. As a full-time museum curator with lots of community involvement, I'm only able to fit my own production into a very small window of time. Although I often get by on four hours of sleep, like most people I need close to six hours a night to keep going. (I've helped promote the career of an artist who made the transfer from the commercial arena to full-time professional by painting almost all night for a few weeks but it doesn't work for most people.) Therefore, I've chosen the selfish route and haven't given back like I should. I recognize that giving serious thought to an issue as part of the dialog process actually promotes learning. Giving speeds up the learning process. But it becomes complicated with exhibit deadlines or other commitments to maintain participation in quality groups such as this.

Certainly the logic of such arguments fall short and time concerns are not insurmountable. Becoming too self-critical of what I have to offer is probably the bigger issue. Although I can remember a passion developing for actually producing art when I was younger than age four, I used scholarships and other opportunities as they opened to develop a cognitive approach to art and history. If you've had the chance to sit in on one of Timothy Asch's courses on Visual Anthropology at Harvard or learn about the concept of gazing (or looking) among the Hemba in eastern Congo from Tom Blakely (information I think is in his recent book _Seeing Anthropology_ although I haven't had a chance to read it yet), then I don't think you'll blame me. Because of this, creating my own art has been called a "hobby." (I put this word in quotation marks because I've been irritated more than once by someone calling my painting a hobby--something that sounds like an activity to fill up extra time when it's a passion that I can't indulge in enough because there just isn't enough time.) To keep this short, I'll just say as I read the brilliant insights into the process of painting offered by members of this forum, I'm quietly grateful but realize that this site isn't the appropriate place to share my own doctoral research on other esoteric art traditions or the process of doing museum curation. Part of the self-critical approach is wondering if I really have something to contribute when talking about the painting process. (The same thing probably applies to other aspects of art production as well. Since I sit on a committee that acquires major works of art on a regular basis and frequently work with professional artists on projects, I often get artists--some quite accomplished--who come to me with a look of desperation asking me how to make a living for their families. I usually say enough to satisfy them and send them on their way but quietly I think to myself that if I had a real good answer to that question I'd be painting full-time). I can see this is starting to turn into an essay so I'll stop. Perhaps a final reason I don't write is I can't tell when to quit talking and usually say either nothing or too much. So I'll quit here. Thanks Cynthia, once again, for such a wonderful site. I'll try to be less selfish in the future and look for ways I can share.

Mark