Jerome, about those draped arms...
Had the chance recently to see a lecture presented by a local sculptor and what he said, combined with what you see in drapery studies of sculptors and mural painters from the ancient Greeks through the Renaissance through the best contemporaries offers another valid general critique of this piece:
A sculptor first sculpts the nude model so the anatomy or form is easily legible. Drapery is sculpted by additions of clay that describe form that falls away from the form. The best mural painters have a similar knowledge of form: you can see in Michelangelo or Volterra how the garments are painted on the form of the flesh.
How does this relate to what you've done here? Folds, clothing, drapery - should always describe the form underneath. If the viewer has a sense of the sausage of the arm filling that white cotton sleeve, if the logic of the drapery explains what you know of the form conceptions of the anatomy - you'll have entered one of the most enviable realms, where the artist can filter the accidents of nature through a higher intelligence and suddeny, you're really composing your work.
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