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Old 05-06-2006, 12:39 PM   #1
Michele Rushworth Michele Rushworth is offline
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Hi Mark,

I use the same type of canvas you do and restretching after the painting was done has always worked for me, if there were ripples from the initial stretching. Garth's technique (of pulling and tacking the corners very tightly as soon as you've put one staple or tack in the middle of each side) has made a big difference. One of the most well known artists in Seattle has suggested canvas-tightening spray that she buys from online art suppliers that may help. I don't know the particular brand she uses.
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Old 05-09-2006, 05:09 PM   #2
John Reidy John Reidy is offline
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Regarding a drying spray, I usually will use plain tap water after stretching a canvas (linen) and then allow the water to dry. When it dries it reoves any wrinkles.

I have done this on a client's painting after delivery due to them. They rested the painting againsy a chair where part of the chair pushed against the face of the painting, waiting for hanging. Unfortunately they didn't notice and by the time they were ready to hang they discovered a indentation. I took it a "magically" removed the depression.
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Old 05-09-2006, 05:34 PM   #3
Michele Rushworth Michele Rushworth is offline
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Quote:
Regarding a drying spray, I usually will use plain tap water after stretching a canvas (linen) and then allow the water to dry. When it dries it reoves any wrinkles.
I don't think this is advisable. The water can have an impact on the linen, but more importantly can harm the adhesion of the gesso/lead white/etc that is on the other side of it.
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Old 05-09-2006, 06:33 PM   #4
Richard Bingham Richard Bingham is offline
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Garth, many thanks for posting this with such care for the photos. A picture is truly worth 1,000 words!

A couple of things, no doubt it depends on what the makers recommend, but in the past, the "dust" that's apparent on the surface of rolled pre-primed linen was likely to be talc, applied as a precaution against fresh primed surfaces sticking in a new roll. It's a good idea to wipe down the surface with a clean rag dampened with denatured alcohol after stretching. You still want to wash your hands, though!

A word about those pricey copper-plated tacks: They look nice, and give you the feeling you've gone the extra mile, but the truth is they are actually less resistant to rust than common blued upholstery tacks. The reason is, there are two processes for electroplating with copper. One, which deposits a thick enough coating to prevent corrosion requires an acid electrolyte which immediately attacks steel. The other process uses a cyanide electrolyte solution which does not attack ferrous metals, but deposits a mere "wash coat" of copper only a molecule thick, just enough to enable steel parts to withstand the acid electrolyte until a significant layer of copper is built up. Guess which single method is used on these tacks?

A few years ago, I ordered a run of solid brass tacks at a stateside mill . . . they cost less than the "art store" copper-plated variety, and were sharper, and harder.
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Old 05-09-2006, 10:24 PM   #5
John Reidy John Reidy is offline
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Michele,

Thanks for the heads up regarding the water. I use the water sparingly in a spray bottle, not to the point of run-off. Plus I only do it on those pesky wrinkles that I hope I won't have to deal with (with the exception of my related story) using your's and Garth's method of tacking the corners.

Thanks again.
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Old 07-07-2006, 01:23 PM   #6
Julie Deane Julie Deane is offline
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Garth,

I'm resurrecting your post to thank you for it. I've had such trouble in the past with wrinkles in the canvas. I've used your method, and it works very well.

In my case, I think part of my problem was that I was pulling too tight from the get-go. This time I stretched the canvas with a light pull, then after it was in place and wrinkle-free, went back, took the staples out in small sections at a time and re-stretched as I went, working from side to side as originally. I was able to pull the canvas even tighter this way, with not a wrinkle to be seen. It seemed to me that the (linen double-primed) canvas relaxed a bit after sitting for a while in-between stretching sessions.
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Old 07-07-2006, 02:06 PM   #7
Michele Rushworth Michele Rushworth is offline
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Quote:
It seemed to me that the (linen double-primed) canvas relaxed a bit after sitting for a while in-between stretching sessions.
This happens to me, too. Now, before I deliver a painting I restretch the canvas and make it just a bit tighter. I've had canvases get all saggy within a few months of delivery and I don't want that to happen again.
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