 |
02-21-2006, 09:37 PM
|
#1
|
PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
|
Quote:
So you are using clear gesso, I like that look also.
|
Yep, Liquitex brand.
__________________
Mike McCarty
|
|
|
02-21-2006, 11:01 PM
|
#2
|
SOG Member
Joined: Aug 2003
Location: Southboro, MA
Posts: 1,028
|
Hey Mike -- good to see you posting again! This topic couldn't have come up at a better time! I've been struggling to get a decent picture of a recent painting. . . So far the best I've got is taken with artificial 'daylight' bulbs and some of the colors just look off even though I've custom set the white balance. . . I'm wanting to retry with natural light :-) I'm wondering in the picture of your set-up it looks like the windows are off to the left and the work is angled so that it's back is slightly toward the window? If I'm interpreting this right is this is to avoid glare?
|
|
|
02-22-2006, 02:33 PM
|
#3
|
PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
|
Quote:
If I'm interpreting this right is this is to avoid glare?
|
Yes, that's right. If you set your painting directly facing the window you will see glare. The problem is that when you do as I have done above you get the light passing across the canvas and can get one side lighter than the other. You have to play with it to get the best situation. I suppose you could reflect some light back onto the painting the way you would your model. As long as you take your preset WB after you get yourself situated you should be OK.
Good luck Terri
__________________
Mike McCarty
|
|
|
02-22-2006, 07:25 PM
|
#4
|
Juried Member
Joined: Dec 2004
Location: Scottsdale, AZ
Posts: 388
|
Mike,
I finally got the Nikon d70s. Thanks for the help in the decision process. In reading the manual they suggest using a white card for WB. Do you feel a grey card is better?
|
|
|
02-22-2006, 09:26 PM
|
#5
|
PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
|
Quote:
In reading the manual they suggest using a white card for WB. Do you feel a grey card is better?
|
Richard:
My manual, on page 52 for preset WB, indicates: "Neutral gray or white object is placed under lighting that will be used in final photograph and white balance is measured by camera."
So, I suppose either would do the trick. The question in my mind is: which white? I've not tried using a white for the preset measurement, maybe the camera is smart enough to figure what it needs from any white, but to me it seems reasonable to eliminate as many variables as possible.
__________________
Mike McCarty
|
|
|
Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
|
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
|
|
|
All times are GMT -4. The time now is 10:37 AM.
|