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12-11-2005, 12:37 PM
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#1
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Juried Member
Joined: Apr 2004
Location: London,UK
Posts: 640
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Thank you Alexandra,
I'll try that one, as soon as I'll remember WHERE I put my tripod (shouldn't be that difficult to find it, but I have searched the whole house and I only have a vague memory of thinking once: I'll put it here, and now I just have no idea...).
Also thank you for your comments on the painting, I can see your point very well and am thinking if I want to go all the way with such extensive rework, or perhaps save the lesson for the next work...
Ilaria
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12-11-2005, 07:05 PM
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#2
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PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
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Llaria:
If I were you I would remove the "focus closest" setting. You may have to put your dial setting into the "P" mode to do this.
Also, you need to be very careful to keep the surface of the painting perpendicular to the line of site of your lens. This would be especially important if you are in "focus closest" mode. If the painting is slightly tilted back at the top it would be focusing on the bottom close edge, or visa versa.
I have my best luck when I photograph my paintings outdoors under the cover of an awning (shade, not direct sunlight). Another helpful tool is to lay a black cloth behind the painting, such that the only thing that enters your view finder is your painting surrounded by black.
Of course the tripod is a very handy tool for this project.
__________________
Mike McCarty
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12-12-2005, 05:32 AM
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#3
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Juried Member
Joined: Apr 2004
Location: London,UK
Posts: 640
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Mike, thank you very much, I wil try again, today is overcast, thanks to the cloud of smoke over here!
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12-12-2005, 10:10 AM
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#4
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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I also find that using spot metering (I have the Nikon D70) aimed at the light side of the face in a portrait gives me a good overall exposure also. I notice the example you indicated seems too washed out and this might help.
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01-21-2006, 10:21 PM
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#5
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Associate Member
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
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I'm considering the D50 but have a question on lens. So far they're all greek to me. If I were to purchase two lens, which ones would you recommend? I do have a limited budget, so please don't suggest a thousand dollar lens.
Jean
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01-22-2006, 03:30 PM
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#6
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PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
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Hey Jean:
I believe that the D50, like the D70, comes in a kit form which includes an 18-55 mm lens. I think this lens is a good choice for indoor work. Nikon also offers an 55-200 mm lens for about $250. The extra telephoto is my lens of choice when working out of doors.
If I could only have one lens for portrait work it would be the shorter one. While out of doors you can usually walk closer to your subject, but, while indoors you don't always have the option of backing up.
Having both is nice.
__________________
Mike McCarty
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