Looking for hand-made balanced palette

[Max Howard]

Originally Posted by Jean-Marie Koch

Thanks, Debra and Peggy:
The search for the perfect palette is turning out to be a little tricky! As portrait artists, I would think the color/value of the palette would be important. I found one in mahogony on one of the sites suggested to me, but it looks dark. What do you think about the color issue? Did you specify color when you bought yours? And what about the staining problem. How do you deal with that?
Thanks again...
Jean-Marie

Aside from mahogany, I've made them out of birch. I prefer the darker mahogany though.

[Jean-Marie Chapman]

Max: Thank you for your remarks. I'm wondering why you prefer the darker wood when mixing skin tones for portraits. I would appreciate any other portrait aritst weighing in on this question. What color of wood or surface do you prefer on your palette?

Thank you for educating me on this.
Jean-Marie

[Molly Sherrick Phifer]

When I get my wooden palette, I plan on painting it a mid-value neutral gray. It should be easier to judge value etc. that way. I love natural wood tones, but if they might throw off my ability to judge color/value, I am happy to paint over the natural grain.

As far as the box goes, wouldn't a plastic storage box of similar dimension, with a lid be good? I use the Masterson palette box now, which would be too small, but it doesn't seem to be a whole lot more than a plastic storage container when it comes right down to it.

[Jean-Marie Chapman]

Thanks, Molly: I decided to by two palettes. One made by Lee Boynton 16x24 and one from Artisan, through Dick Blick. One will be darker wood and one will be rather on the small side, 11X18, and in the maple color. I'm used to the white paper palette, so I'm going to try the maple since it is closer to a flesh tone. The Artisan palette also has a rubber thumb hole that was recommended by Chris Saper, although she uses the walnut in the medium size.
So, I think I'm set for now. By the way, how do you keep the gray paint from flaking off when you scrap your palette? I think the gray surface is probably the best. I believe that's what Daniel Greene uses.
Thanks,
Jean-Marie

[Debra Norton]

Jean Marie, you made good choices, I have the two palettes you're getting. I love the Boynton palette! It is so light and well balanced; I can't imagine using any other. We just got a box of palettes for our school store (made by a local man) and they aren't nearly as nice as mine. I always have to compare and I haven't run across one as good as Boynton's. I sanded the finish off mine and put linseed oil on it. Then I used linseed oil to clean it every day for a few weeks. I clean it daily with turp, and every once in a while I wipe it down with oil. Some people smear their left over paint around to give it the grey or maroon color, but I prefer the wood surface.

I use the artisan palette in my french easel. I like the thumb gasket, it fits well. But I didn't like the light color of the wood, so I'm working on darkening it to match what I'm used to using. I bought it this summer and have only used it seven or eight times, so I'm still trying to get it to the right color. It's not balanced which isn't that big of a deal since I usually lay it on the easel in front of me while I paint.

[Jean-Marie Chapman]

Debra: Thanks for your email. These materials are expensive, so I need to make smart choices so I don't go around buying up this and that and trying everything out and learning the hard way. That's why I'm being very particular about this purchase. My next is an easel, so brace yourself! To crank or not to crank, that is the question...Ha!

I'm wondering which color and size of Artisan you got. And how did you get through that surface coating to work on the color? Did you sand it? It seems like a lot of money to pay for a rubber gasket around a thumb hole if the color isn't right and it's not even balanced. Hmmmmm. What do you think? And which size Boynton do you have? Did you get the walnut? Can't recall if it came in wood choices like the Artisan.

Thanks for hanging in here with me...
Jean-Marie

[Debra Norton]

I got the maple Artisan, 11x18 size. I didn't do anything to the finish on this one, I just started smearing my left over paint around at the end of painting sessions. I just checked it and I think it could probably stand a little more paint smearing to get it to the right value, but it still has a smooth feel to the surface. I have pretty small hands so I had my husband cut the u shape deeper so I can hold brushes and the palette with the same hand. It has a dent to fit my arm too, but I can't remember if that was there or if I had him cut it. I think I had him cut it because it seems like I remember it hurting my arm when I first got it. I had him match the cutting to my Boynton palette, which fits me very well.

I don't think I realized the Artisan came in color choices when I bought mine or I would have gotten a darker one. I bought mine directly from the store (Blick's) and got what they had in stock. My only reason for buying this palette was because (like a dummy!) I left behind the one that came with my french easel when we moved here. (We moved here for me to go to art school, and most of our stuff is in storage back in Washington state.) I tried the cheap $5 palettes, but they hurt my thumb, that's how I ended up with the Artisan. So I guess my recommendation would be that if you don't need it, don't buy it, but the thumb gasket is nice.

I have the smaller Boynton, and I'm not sure what kind of wood it is. And I would recommend that if you can buy only one palette that it be the Boynton. I love mine, I think I'll start a Lee Boynton fan club!