First live model - 2.5 hrs

[Molly Sherrick Phifer]

Last night I had the opportunity to paint a portrait from a live model for the first time at my oils class. I am going to have to figure out how to get my kids to sit still! Dang, it was fun. Particularly when I got far enough along to see a really good likeness. I still struggle with paint and brush - trying to get them to do what I want, but it's getting easier. A few hundred more attempts should do it!

I have to admit that I messed up both the eyes and the mouth at times when I had a better definition of form, but it's all a learning experience. I tried to get them to let me photograph the model for my own record to show the likeness, but my teacher was emphatic that I not do that. She's sure I'm going to "cheat" I think.

[Debra Jones]

sorry Doubled it... forum problems yesterday!

[Debra Jones]

Don't worry about the photo. There is so much you will gain from doing the work in a studio that the likeness is secondary.

May I ask what sort of instruction you are getting?

I have a few theories on how to approach a live body, especially when they are not paying you, that I would be curious as to what steps you are taking to get your images.

On first glance, this is not the most striking piece, but as I stopped and looked a bit more, there is not a lot basically wrong. The proportions are workable and the nuts and bolts will hold it together. A photo would have allowed you the luxury to work out all your problems before you finish, but arguing with paint and a model under the pressure of time, makes for an exceptional skill set.

I would love to see your next piece. And if you have a chance, could you take progress shots of it? The real trick is not to do it right every time, but to know how to recognize when you are doing it wrong and know what to do about it. I call that strategy. I think strategy is very important in short time periods with a model. Conservation of energy for maximum output.