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11-29-2001, 08:30 PM
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#1
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Associate Member
Joined: Nov 2001
Location: Montreal, Canada
Posts: 123
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Hands-free "mahl stick"
I've read some of the group
Last edited by David Dowbyhuz; 11-30-2001 at 04:05 PM.
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02-14-2002, 05:43 PM
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#2
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Hands free "curb"
Great idea, David. I use a method for keeping my hands off the work, as well. It is a curb at the bottom of my drawing board about 4" high. I draw mostly, so I use a table at 45 degree angle so I can look over the top at my model. I place my arm on the curb to give stability, as would a mahl stick. You have to be innovative.
On vertical setup like yours, a mahl stick of some sort is even more needful.
I hope to get into painting again. Drawing is not taken very seriously by the art world, even tho it is a very challenging discipline.
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02-14-2002, 06:15 PM
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#3
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Associate Member
Joined: Feb 2002
Location: Albany, NY
Posts: 28
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Very clever and nice, David.
I bet you could sell those. They look so stable, too, which I find especially. appealing.
Margaret
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09-25-2003, 06:12 PM
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#4
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Juried Member
Joined: Sep 2003
Location: Montreal, Canada
Posts: 1
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Very good design David.
Quote:
...and will take quite an oblique angle without having to hold the bar in place.
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I was thinking that maybe you could put a rubber washer on one end, as a stopper, so the stick could rest on it with less of a chance of falling.
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09-25-2003, 06:47 PM
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#5
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Limbo
Hey David, you could use that at a studio party for limbo.
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09-25-2003, 08:00 PM
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#6
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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Me too
I use a similar device to anchor my mahl stick. The one shown here is my portable mahl brace. I use it when I am painting away from home. It attaches to the canvas stretcher.
I have a larger version which I use in my studio. It clamps onto my easel. I generally hold the other end of the mahl stick which slides onto a hook under my palette, leaving my fingers free to hold my rag. For really critical touches I have a second mahl brace that attaches to the other side of my easel for hands free usage.
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09-25-2003, 08:02 PM
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#7
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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Sorry! Here's the picture.
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09-26-2003, 03:06 PM
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#8
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Associate Member
Joined: Nov 2001
Location: Montreal, Canada
Posts: 123
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In the interests of economizing space I've further modified my set-up, much like Marvin, and the "legs" are gone. The assembly is now clamped to my easel as well. (I've resigned myself to canvas widths that "fit between" for now.)
On the right end of the horizontal pole you can just make out the loop I attached there. When the angle of the prop becomes too extreme, I just throw the loop over the peg on the high side.
(No more limbo fests I'm afraid, Tim.  )
Regards,
Dave
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03-26-2004, 07:37 AM
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#9
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Associate Member
Joined: Oct 2002
Location: Germany
Posts: 204
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Hi,
This is the solution for painting of details by me, after an idea from my friend. It's a telescope-antenna, fixed on the easel above (middle).
For greater easel, he (my friend) mounted a normally curtain-rail (PVC) with a hook. He uses a mop-stick (extendible!) from store, with a drilled hole for that hook. You can easily move left or right like a curtain.Works perfectly. (in theory the same like by David, only vertically)
Ciao.
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