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Old 06-08-2003, 12:18 PM   #21
Chuck Yokota Chuck Yokota is offline
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Karin,

Thanks again. I can't see your latest attachment, but I'll try to come up with something.
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Old 06-08-2003, 02:10 PM   #22
Chuck Yokota Chuck Yokota is offline
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Pattern
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Old 06-08-2003, 11:12 PM   #23
Karin Wells Karin Wells is offline
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Old 06-09-2003, 12:05 PM   #24
Chuck Yokota Chuck Yokota is offline
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Karin,

Thanks; this is a valuable learning experience for me, and I'm sure it has also helped others who have been following this thread.
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Old 06-10-2003, 11:34 AM   #25
Jean Kelly Jean Kelly is offline
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Dan

I admire your tenacity Chuck.

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Old 06-14-2003, 11:01 AM   #26
Chuck Yokota Chuck Yokota is offline
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With color

The painting is still in progress; here is its state as of this morning.
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Old 06-14-2003, 11:03 AM   #27
Chuck Yokota Chuck Yokota is offline
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Here is the close-up. The image on screen seems to have higher contrast than it looks like in person.
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Old 06-14-2003, 01:36 PM   #28
Mai Ly Mai Ly is offline
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Hi Chuck,

You did a splendid job with the underpainting, with all your hard work!

I realize that the painting is in progress, and have a few suggestions (I assume you want some feedback, since you post this under the 'Oil Critique' section):

The skintone (as well as the upper half of the painting) look very 'warm' right now.

The colour and value of the background is too close to the colour of the subject face. I would change the (colour or value) background to bring the face to the viewers' attention a bit more. Are you in the process of glazing another colour over the colour of the background?

It also seems like the upper half (background) colour is competing with the colour of his shirt. I would determine a local colour and that would be the 'dominating' colour. Right now, the blue of his shirt and the background colour are competing with each other (not sure if I make myself clear here).

Are you glazing this painting, or painting directly over the underpainting?

The more I look at this painting, the more I like the subject's expression. I look forward to see the progress of this painting.

Sincerely,

Mai
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Old 06-14-2003, 02:55 PM   #29
Chuck Yokota Chuck Yokota is offline
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Mai,

Thank you for your comments. I realized that the color of the painting as I posted it wasn't very accurate. I took another picture, adjusting my camera's white balance, and this looks more like the actual painting. This is with virtually no changes to the painting. I'm sorry if my earlier posting misled you. Let me know if your various comment still apply.
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Old 06-14-2003, 03:04 PM   #30
Chuck Yokota Chuck Yokota is offline
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Close-up
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