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Old 02-28-2003, 01:05 PM   #21
Michele Rushworth Michele Rushworth is offline
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In the reference photo you posted the Dad's blue/green eye is much less saturated in color and is shaded quite a bit more than you have painted it. You have also drawn it more wide open than it is in the photo. (The upper eyelid arches up too much.)

Fixing those things will make the difference less apparent -- unless of course you WANT to emphasize the difference in eye color. If that is the case, it will become the focal point of the painting.
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Old 02-28-2003, 01:39 PM   #22
Jean Kelly Jean Kelly is offline
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Speaking of focal points

When there are three in a portrait, do I make one the primary focus or concentrate on three sets of eyes as the center if interest? In seeing it posted here (smaller helps) I think it needs to be less obvious. I'll shade and lower that eyelid as you suggested. Thanks!

Jean
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Old 02-28-2003, 01:49 PM   #23
Michele Rushworth Michele Rushworth is offline
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I just finished a commission of three kids and I made all three sets of eyes equal in importance.

If I was creating a painting for myself I would have composed something more interesting with one dominant figure, but since it's a commission the parents don't want to favor one kid over the others.
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Old 02-28-2003, 02:07 PM   #24
Jean Kelly Jean Kelly is offline
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Focal points

Its time to get to work now, after working on his eye I'll see where this takes me. Since he is the father and dominant in the picture his eyes may be the focal point, simply because of the coloring. Will be in later. I appreciate your input.

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Old 02-28-2003, 06:31 PM   #25
Jean Kelly Jean Kelly is offline
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Eyes!

I love eyes. Here's the update. Its getting there.

Jean
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Old 02-28-2003, 06:33 PM   #26
Jean Kelly Jean Kelly is offline
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Oops

Don't know where it went, I'll try again.
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Old 03-01-2003, 03:00 AM   #27
Lon Haverly Lon Haverly is offline
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Dark to light

Jean, I am reminded of how we were taught to work from dark to light in oils. In your painting, you worked light to dark. Your reference photos have rich darks which are lacking in your layout. If you were to work dark first, then slowly add the lights, leaving the lightest colors for last, your painting would have more drama.
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Old 03-02-2003, 10:22 PM   #28
Jean Kelly Jean Kelly is offline
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Trying again

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Old 03-02-2003, 10:24 PM   #29
Jean Kelly Jean Kelly is offline
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Yeh!

Now Nick.

Tom's been messing with the computer all day, don't know what he did but I got an image up!

Jean
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Old 03-02-2003, 11:06 PM   #30
Michele Rushworth Michele Rushworth is offline
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It's getting a lot closer. I'm glad you can post images now.

The Dad's blue eye is still much lighter than the brown one. Squint at your reference photo or better still, convert it to monochrome and check the values.

The son's forehead is somewhat overmodeled, though it's much rounder than before. (The forehead needs to have simpler large value transitions, more blended, less blotchy.)

It's coming along nicely. Can we see the whole image?
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