Portrait Artist Forum    

Go Back   Portrait Artist Forum > Color & Color Theory


 
 
Topic Tools Search this Topic Display Modes
Prev Previous Post   Next Post Next
Old 07-22-2007, 06:40 PM   #27
Linda Ciallelo Linda Ciallelo is offline
Juried Member
 
Linda Ciallelo's Avatar
 
Joined: Apr 2002
Location: Binghamton, NY
Posts: 247
Send a message via AIM to Linda Ciallelo
Just reading their description of Michael Hardings cremnitz white ground in walnut oil has gotten me all excited. I have long been a fan of walnut oil and as I have said before, it's the feel under the brush that makes the difference. It appears that they also know that to be true.
  Reply With Quote
 


Currently Active Users Viewing this Topic: 2 (0 members and 2 guests)
 
Topic Tools Search this Topic
Search this Topic:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is Off
HTML code is Off

Forum Jump

Similar Topics
Thread Topic Starter Forum Replies Last Post
Student Speak Patricia Joyce Cafe Guerbois Discussions - Moderator: Michele Rushworth 2 03-10-2005 09:34 AM
Rembrandt's Brilliant Yellow Light Leslie Ficcaglia Paints, Mediums, Brushes & Grounds 9 01-23-2004 09:17 AM
What's up with Yellow Ochre? Julianne Lowman Photographing Your Artwork 1 12-20-2003 11:08 AM
Naples Yellow Sandy Barnes Paints, Mediums, Brushes & Grounds 13 04-20-2002 12:36 PM
Art Speak Karin Wells Cafe Guerbois Discussions - Moderator: Michele Rushworth 9 03-24-2002 09:05 AM

 

Make a Donation



Support the Forum by making a donation or ordering on Amazon through our search or book links..







All times are GMT -4. The time now is 09:43 AM.


Powered by vBulletin® Version 3.8.6
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.