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It is difficult to offer good critical review of work via computer. Each computer monitor "sees" things differently. If I commented on your flesh tones, I may be quite wrong because of the way my monitor displays your work. In general, your work looks as though you are headed in the right direction.
How did your guru teach you to soften color? Did he teach your about neutral grays? A lot of artists use neutral grays as a way to tone down brilliant colors. You can also tone down brilliant colors using the complement . . . blue to soften orange, for example. However, this method takes a very long time to learn, and usually causes one to waste a lot of paint looking for the right combination. Neutral gray can be made in several values by using ivory black and white. It is necessary to add a bit of raw umber or burnt umber to the black to kill it tendency to show blue. Once you get used to your grays, you will use them in much of your work.
But, as for black, again, my advice is not use so much that it takes so long to dry. Actually, it will eventually dry, but sometimes, it can take quite a long time . . . many days up to a couple of week.
And, yes, you should draw all the time.
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