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Originally Posted by David Draime
Tom, as always, thank you for your feedback!
Patricia, I'm sure you will enjoy the Rives paper. Thanks.
Allan, I have spent the last few hours musing on what you wrote. I may be completely misreading what you intended, but let me try: I took what you wrote as a critique - a very insightful, valuable and welcome critique. As I see it, my strengths are all about capturing subtlety, the "delicate nuances" as you put it, but I wonder if I am missing or neglecting something that is at least as important, the immediacy that I see in work I admire, the "punch" as it were. I think this drawing has some nice aspects to it, but I feel - as I do with most of my work - that it lacks something, that maybe it's too refined, too polished. And I am guessing that the real problem is that I am - once again - copying a photograph. I think if I were drawing this girl from life it would be an entirely different experience - and result. So, I thank you from my inmost heart for your penetrating and insightful response to my work. Even if this is nothing close to what you meant!  Thank you!
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David,
I had no intention to give a critique, I am just a foreigner that pick the wrong words.
I guess that I should have written that I am stunned in stead of wondering of the punch of the "delicate nuances".
Let me explain: I am impressed by the impact, "punch" of the content / expression of the subtle nuances in the face. You have done so little, with such a great effect.
One of the things that I admire is when painters express them self with economy, meaning expressing things with ( apparently ) ease. This happens often if a painting / drawing is made in a rush, things are not re don very much but painted by instinct.
A drawing can be done in any manner and I think that you have succeeded doing what you set up for.
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