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Old 02-06-2007, 02:31 PM   #51
Leslie Ficcaglia Leslie Ficcaglia is offline
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I can somewhat understand the model's position in the example you cited, Tom. She posed and was paid for her posing, so its use without further recompense, if such recompense was promised or implied, could be actionable. Where you're taking photos of people in public places, though, it would be difficult for them to be certain that they were used as the inspiration for a painting if you made sure there was no likeness. But the whole situation seems much more complex and full of pitfalls than I'd thought.
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Old 02-06-2007, 04:20 PM   #52
Tom Edgerton Tom Edgerton is offline
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Yeah, Leslie, I agree. I'm not saying she didn't have grounds, my point is just that even with changing a likeness, one thinks they have themselves covered, but it's amazing how it can come back on you.

Best--TE
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Old 02-06-2007, 08:25 PM   #53
Leslie Ficcaglia Leslie Ficcaglia is offline
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As soon as I take a photo of the new version I'll post my French painting in the Figurative Unveilings; you'll see how tempting it was.
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