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11-10-2011, 11:26 AM
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#21
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'09 Third Place PSOA Ohio Chapter Competition
Joined: Aug 2003
Location: Cleveland, OH
Posts: 1,483
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loving the nose
I have to confess these images are hanging on my studio walls and i look at them everyday. Every day something catches my attention, this morning it was the nose, particularly the nostrils since that is what i am working on in my current painting and struggling with. Marvin Gray (wink!) you are always on my shoulder teaching me!
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11-11-2011, 01:55 PM
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#22
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Juried Member
Joined: Feb 2004
Location: Perris, CA
Posts: 498
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Quote:
Originally Posted by Lesley Grindlay
Wow, so beautiful, your heart and soul certainly shines through your work.
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I agree. Lovely painting. I will keep coming back to this one.
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12-18-2011, 07:26 AM
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#23
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Juried Member PT Professional
Joined: May 2004
Location: Americana, Brazil
Posts: 1,042
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You don't need any comments... but.... Wow!
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01-04-2012, 05:06 PM
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#24
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Associate Member
Joined: Mar 2002
Location: North Carolina
Posts: 238
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Perfect
Another perfect painting, Marvin! This is gorgeous!
Take care and hope you're doing well,
Renee
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01-04-2012, 06:15 PM
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#25
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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Thanks Patty, David, Claudemir, and Renee. Your comments mean a lot to me. It's always nice too feel appreciated. Happy new year to all.
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02-25-2012, 09:21 AM
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#26
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Juried Member FT Professional, 2011 ARC Figurative Finalist 2011 ACOPAL finalist, 2009 3rd Place PSOA Members Only, 2009 Best in Show Huntington Arts Portrait Show, 2008 Honorable Mention CSOPA
Joined: Jul 2003
Location: New York, NY/Atlantic Highlands , NJ
Posts: 5
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Hey Marvin...Awesome portrait. It is very life like and I really sense the persona of the girl. Love your values and color of her eyes captivates me.
New to this and I am just seeing this now.
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03-19-2012, 12:50 PM
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#27
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Associate Member
Joined: Feb 2004
Location: Toowoomba, Australia
Posts: 355
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Wow plus Marvin.
One day I will get across the big pond to have a workshop with you and to see one of your paintings in person. I bet it will knock my socks off.
I just love the eyes and the jacket colour. You have raised the bar once again.
I notice that in the light reflection in the eyes you seem to have made a slight red stroke within it, splitting the white, can you explain the purpose of this mark?
Thanks for your latest inspirational work, you must be very proud of your efforts. You have done a great job!
Ngaire
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03-19-2012, 04:43 PM
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#28
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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Hi Ngaire,
It could just have been a fleck from my brush when painting the top plain of the lower lid. It never bothers me when color jumps around because it helps unify the painting. Sometimes I do it without thinking.
This painting is currently being featured on the April issue of the Artist's Magazine. They also did a article on my work in the same issue. The reproductions could have been better but tI think that the writer did an excellent job on the article. It's on the newsstands now.
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04-06-2012, 02:36 AM
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#29
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!st Place MRAA 2006, Finalist PSOA Tri-State '06, 1st Place AAWS 2007
Joined: Oct 2004
Location: Kernersville,NC
Posts: 391
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I am so happy I couldn't sleep. I don't visit here as often as I should.
Marvin, you continue to slay me. What a beautiful and masterful piece of art. Guess I am going to have to buy a magazine now.
Thank you for posting. I am looking forward to the day when we can get together.
__________________
John Reidy
www.JohnReidy.US
Que sort-il de la bouche est plus important que ce qu'entre dans lui.
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04-19-2012, 05:10 PM
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#30
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Associate Member
Joined: Jan 2004
Location: Los Angeles, CA
Posts: 118
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Stunning portrait, and a terrific article. Very valuable. Alas, The Artist's Magazine has a history of terrible color reproductions, which would seem to negate the whole point. I remember some reproductions of Impressionist paintings a few years back that were dark and murky, completely losing the beautiful light in the originals.
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