Catherine in pastels

[Margaret Ferguson]

Just finished this one, still trying to keep loose. unison pastels on sansfix paper

[Carlos Ygoa]

Margaret,

Another very soulful piece. Your portraits always look like you know the sitter very well. Love the way you handle the colours.

[Margaret Ferguson]

Thank you Carlos, I suppose I do know my sitters well, I've been concentrating on portraying family and friends so far.

Do you find that establishing rapport with commissioning sitters is very important to the final picture?

[Carlos Ygoa]

Yes, Margaret, I personally think so since in the final analysis, what we are supposed to do is portray as well as record. But then again, that is not always possible (establishing a rapport, that is) given the circumstances at any given moment or project, in which case the result is an image in which the artist is reflected somehow. And that itself is not a bad thing either.

Your question sounds more like it was directed to all in general, so it would be nice to hear what others say. Again, very nice work!

[Enzie Shahmiri]

Margaret, every time I look at your work, it makes me want to just go for it and let loose. My work is at the other spectrum of your (rather tight in style) and it just looks like so much fun to establish such great form in a looser style. Very nice work! I also love your color choices.

[Margaret Ferguson]

Thanks for your comments, Enzie

Your own website contains lovely work; I especially liked the skin tones you used in 'African Woman'
I know what you mean about working against an inclination to work 'tight', I've been trying for ages!
What about trying pastels and just going for it? It 's great fun.....