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Old 06-30-2007, 10:32 AM   #11
Allan Rahbek Allan Rahbek is offline
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Sergio,
I like it, it's a very strong portrait and the textures are so rich. Could you tell a bit about the model? Are the Yakut's a Polar tribe?
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Old 06-30-2007, 04:59 PM   #12
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Thomasin Dewhurst
and just waiting to win a fortune in art competition prizes!
Dear Thomasin,

I'm waiting for that fortune since too long
to be really interested in it
As for the competitions,
do you think those who judge us are better than we are?

Actually I loved your nude paintings,
there is something innocent and astonishing in them...

Best regards Sergio
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Old 06-30-2007, 05:03 PM   #13
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Claudemir Bonfim
Wow!
I agree,
I like my work.
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Old 06-30-2007, 05:06 PM   #14
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Ngaire Winwood
You certainly stepped up the bar with this work.
I wanted to create something perfect.
So I gave myself as much time as i needed...
The bar was set up not in function of the technique
but in function of the emotion which the viewer
had to feel meanwhile in front of it.
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Old 06-30-2007, 05:11 PM   #15
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Marina Dieul
What impressing gaze !
Thanks for sharing...
Thanks for the comment,
loved your charcoal, sanguine mix
very surprising!
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Old 06-30-2007, 05:15 PM   #16
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Dianne Gardner
Teach me to paint!!!



Dianne
You don't need to be taught...
Your mountain landscapes shows that you have everything a painter need to progress by yourself. (the arch)
Technical progression will come by itself with a lot of work
and other's advices can sometimes only harm...
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Old 06-30-2007, 05:17 PM   #17
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Ilaria Rosselli Del Turco
It's a delight to the eyes
Ilaria
I prefer it to be a delight to the soul.
Loved your lobster!
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Old 06-30-2007, 05:26 PM   #18
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Carlos Ygoa
Sergio,

So if my calculations are correct, it must have taken you 1 week to do that eye?
More or less one week yes
although hard to calculate
there are around 4-5 layers on each eye,
between each layer 2 days of drying
the color tissue of the eye is made with the trembling of my hands...

Liked your still life with the mandarins...
Sometimes big surfaces are taking away our attention from the essential...
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Old 06-30-2007, 05:30 PM   #19
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Garth Herrick
Sergio,

Philadelphia, next May!


Garth
Thank you Garth! Hope to see you then in person again!
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Old 06-30-2007, 05:46 PM   #20
Sergio Ostroverhy Sergio Ostroverhy is offline
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Quote:
Originally Posted by Allan Rahbek
Sergio,
I like it, it's a very strong portrait and the textures are so rich. Could you tell a bit about the model? Are the Yakut's a Polar tribe?
The idea with the texture was to diversify it to the minimum
so that the essence of the model would shine through the painting
without being disturbed "by" the painting itself...

So I would say, there was basically no work on the texture,
the effort was made on a kind of mystical presence of the person in front of you...

My brother, when he looked at it,
stayed with his mouth open for a few minutes... so surprising was the human (or inhuman) presence of Anna...

That picture of my brother glazing with his open mouth
(it's very hard to astonish him, he's a phlegmatic lawyer)
I think was the best recompense for me from the picture till now...
Although I believe that the "Yakut" roots of the model
(Yakutia is the land where all the shamans, mammoth bones and diamonds are of Siberia see the attachment of a typical yakut dress) must bring me more unexpected stuff...

As for the model...
Huh.
It's a whole story... Too long to talk about it.
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