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Old 04-18-2007, 11:22 PM   #11
Christy Talbott Christy Talbott is offline
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Absolutely superb Garth! Like the others, I notice and love the subtle color changes in the boy's face. The hand is amazing too. I don't think I'd like this any more than I do now if the painting was made more 'finished'.
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Old 04-19-2007, 08:07 AM   #12
Tom Edgerton Tom Edgerton is offline
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Great light! And I love the low point of view.

Paint handling is superb...don't touch it.

Wonderful spirit...

Best--TE
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Old 04-19-2007, 11:56 AM   #13
Garth Herrick Garth Herrick is offline
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Thanks Christy and Tom,

It's good to get a sense of when to quit; I am still working on that sense. It seems less fussing is indeed more; while doing more finishing yields less appeal.

Garth
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Old 04-19-2007, 01:30 PM   #14
Thomasin Dewhurst Thomasin Dewhurst is offline
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A very nice piece, Garth. Such clarity of light and colour! (And I love the rabbit in the backgound. Great marks that look abstract close up, but from a distance make a solid sculptural form. The same thing for the flowers and light behind the rabbit. Your genius is there with or without your conscious help.)
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Old 06-20-2007, 01:06 PM   #15
Garth Herrick Garth Herrick is offline
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Robert's grandfather danced with Jane!?

Quote:
Originally Posted by Thomasin Dewhurst
A very nice piece, Garth. Such clarity of light and colour! (And I love the rabbit in the backgound. Great marks that look abstract close up, but from a distance make a solid sculptural form. The same thing for the flowers and light behind the rabbit. Your genius is there with or without your conscious help.)
Thanks Thomasin!

As an aside, and I know it is off topic, yet extraordinary: I just learned from both parties that the ever popular Jane of Jane and Iona was once the cotillion dance partner of Robert's grandfather (of the same name). My client world just got smaller! I visited Jane last week, and while she browsed through my portfolio, she experienced d
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Old 06-21-2007, 09:43 AM   #16
Chris Saper Chris Saper is offline
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Dear Garth,

Such a refreshing piece! I can learn a great from the way you have handled th subtle turns fromt he jaw to the throat. Thnaks for sharing this portrait
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Old 06-21-2007, 10:45 AM   #17
Enzie Shahmiri Enzie Shahmiri is offline
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Dear Garth,

What can I say that hasn'talready been said?! Just lovely!
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Old 06-22-2007, 09:17 AM   #18
Ilaria Rosselli Del Turco Ilaria Rosselli Del Turco is offline
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Garth, this is so nice and relaxed. The handling of the paint corresponds completely with the subject.
I normally like your paintings all the way through, and if I were the mother of this boy I would also have bought this work as it is. And I can't really perceive it as a sketch or a preparatory work, but for me is absolutely complete and well solved eveywhere.

I understand that in official portraiture you might need to get to a more refined stage, but it is really a treat to see you in everyday clothes...

Ilaria
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Old 06-27-2007, 03:50 AM   #19
Tony Pro Tony Pro is offline
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Garth, fantastic as usual! Love your value control... and the composition is perfect...
Would love to see the original!
More, More, More!
Tony
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Old 06-28-2007, 02:19 AM   #20
Linda Brandon Linda Brandon is offline
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This is sensitive color management, subtlely modeled, tasteful, yet energetic and fresh. Don't you dare call it a sketch! You just made it look easy. We all know that it isn't.

Well, Garth, can you tell we are loving your looser work? Keep it going!
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