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01-24-2006, 08:55 AM
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#11
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Juried Member PT Professional
Joined: May 2004
Location: Americana, Brazil
Posts: 1,042
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It was not only worth the waiting but also very interesting and instructive.
Thanks for sharing.
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01-24-2006, 09:00 AM
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#12
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Juried Member PT Professional
Joined: May 2004
Location: Americana, Brazil
Posts: 1,042
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The prize was well-deserved too!
I liked the animation very much, are considering recording a video?
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01-24-2006, 11:29 AM
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#13
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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Thanks, Garth -- very interesting demo! (Is that the old Nell Arte forum?)
Are the upper layers done with dry brush scumbles with more or less opaque paint? Also, when you show a new step in the animation does that represent one new layer or many new layers?
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01-24-2006, 12:29 PM
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#14
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SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
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Quote:
Originally Posted by Michele Rushworth
Thanks, Garth -- very interesting demo! (Is that the old Nell Arte forum?)
Are the upper layers done with dry brush scumbles with more or less opaque paint? Also, when you show a new step in the animation does that represent one new layer or many new layers?
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Dear Claudemir and Michele,
Thanks so much! I see why others do videos now. That would be much easier than what I did.
This demo is posted on the newly established Art and Artistry Forum, up and running since late October. It's a very multi-disciplinary and all encompasing community of artists, and a well mannered bunch.
Michele, I think you are right in that much of the upper layer developments are more or less opaque scumbles to alter and build on the under layers.
The animation steps are partly arbitrary. I was basically just painting, but every so often when I felt something significant had changed in the development, I took a progress photo, thirty in all. The changes in each step may be small or large. To condense the presentation, I combined every three progress shots together forming ten groups of three images each. Each subsequent .GIF animation represents the subsequent three image progressions and there are no overlaps, as useful as that could be in certain instances.
I wish I could post this demonstration directly on this Forum, but if I did it would require significantly scaling it down. Those .GIF files are huge! I am amazed they posted and worked at all. I am glad we can link these and other useful WIP demonstrations from time to time. My preference would be to post the same here too, were it possible.
Thanks again,
Garth
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01-24-2006, 12:46 PM
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#15
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SOG Member
Joined: Aug 2003
Location: Southboro, MA
Posts: 1,028
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Great Demo Garth!
Wow Garth! What a cool way to do the demo.
LOVE the way the images update in stages. You must had had the camera fixed in the same position the whole time to get all those the images so perfectly aligned?
***  This would be great on your website!  ***
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01-24-2006, 12:51 PM
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#16
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SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
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Thanks Terri! In truth, I did not have the camera rigidly set. What a help that would have been! I had little foresight of what I would be producing with these casually hand-held progress shots. They were a true nightmare to straighten out and edit. Don't try this at home! Photoshop is amazing, I must say.
Garth
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02-05-2007, 07:14 PM
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#17
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SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
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Now on YouTube!
Folks,
I failed to mention several months back that I uploaded a 30-frame video demonstration of this painting in progress on YouTube.
http://www.youtube.com/watch?v=XtAYUZl8BnQ
or follow this link .
It would be interesting to get some opinions on this type of demonstration. There are many others worth watching (filmed with actual video cameras, as opposed to mine which was cobbled from digital still photos). I think many here could do the same and post more demos there.
Anyway, it would be nice to get some response from real artists. Here is a recent comment I had to chuckle about :
"Fake,
scan a real picture, then add many different filters until you get something completely different, then cancel one by one all the filters and you have same result, [................]"
Oh well, that one should perhaps be deleted. Another YouTube demo artist just privately suggested I delete it.
Enjoy!
Garth
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02-05-2007, 07:30 PM
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#18
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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Great video, and a useful teaching tool. I'll recommend it to my students when I teach a portrait work shop next month.
The music is a hoot -- maybe I should listen to something like that while I paint!
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02-05-2007, 07:32 PM
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#19
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Juried Member PT Professional
Joined: May 2004
Location: Americana, Brazil
Posts: 1,042
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I liked that very much, and I sure will enjoy seeing others like that one.
You always do a great job!
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02-05-2007, 07:41 PM
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#20
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SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
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Well it took me longer to make that demo than it took to paint the darned thing in the first place!
Thanks, and again I hope others here add some additional demos. It was pioneering days when I put it up.
Garth
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