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03-12-2002, 11:46 PM
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#11
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Associate Member
Joined: Jan 2002
Location: Eunice, LA
Posts: 42
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This is great, Joseph. I remember seeing a portrait similar to this style in an old issue of the Artist Magazine. I will try to find it and post it here. I have a tendency to work too tight. To remedy that, I will do a quick loose portrait on drawing paper, feel the relief, then throw it away. It may be to your advantage to do both. Keep it up.
Mark Gil
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03-13-2002, 12:00 AM
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#12
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Associate Member
Joined: Mar 2002
Location: Charlotte, MI
Posts: 64
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Correct
Mark, this was my intention when creating this. I had become frustrated by the expectations I had for other paintings and decided to let loose. What relief. Now I agree with that part, but I'm not sure I want to throw it away quite yet.
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03-13-2002, 10:48 PM
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#13
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Associate Member
Joined: Jan 2002
Location: Eunice, LA
Posts: 42
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NO! Don't throw away your painting. It's a keeper! I throw away my "exercise to loosen up" not a painting. "You can do both..." I meant that by working impressionistic and tight, you will always have that balance needed to keep from getting frustrated. Keep it up.
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03-14-2002, 09:27 AM
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#14
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Guest
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If you stand back about 10 feet from the computer screen everything comes together to make a solid image, I like your technique, lots of talent here.
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03-14-2002, 12:40 PM
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#15
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Juried Member FT Professional
Joined: Feb 2002
Location: Gaithersburg, Maryland
Posts: 698
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Hah!
I often say in jest to my customers, "When you look at my work, you have to close one eye and squint the other, because that's how I did when I drew it!"
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