Alicia Rose

[Michele Rushworth]

Thanks, Sharon. This is very helpful.

[Tom Edgerton]

Simply...fabulous!

Best--TE

[Patricia Joyce]

I don't even feel qualified to respond to this one. But, Sharon, it is

BREATHTAKING ! ! !

[Chris Saper]

Oh, Sharon, how I would love to see this in person! She is just lovely, the composition and edges are marvelous!

You must have the patience of a saint to paint all that background - but it's spectacular.

[Allan Rahbek]

Sharon,

The finest rose in the garden is the girl, and you have been the brilliant gardener. What a lovely arabesque pattern of it all.

Allan

[Linda Brandon]

Sharon, this is extraordinarily beautiful, painted with such control and style. I love how you've made each of the various surfaces so touchable, what a visual feast. And the size...! I'll bet the hair just blows back from your head when you stand in front of it.

You're making me think I should stop with the panels for a while and give linen another go-round.

[Linda Brandon]

Sharon, my biggest problem with all my panels - ABS, gesso, Gamblin grounds, linen glued to boards, etc. - is that I have a terrible time getting the paint to come off my brushes during the inital lay-in. I work myself into snits until I get the first coat of paint down and only then do I start to cheer up a little. Is it possible that a smooth surface with little absorbency tries to repel the paint? It seems to me that panels encourage multiple coats of paint and lots of obsessive noodling on the surface.

I've been putting down an initial tone which contains a heavy dose of Studio Product's Underpainting Medium, and it does seem to help 'grab' the paint, but oddly, not with all of the panels I've tried it on.

Thank you for the website - I will certainly order from the company, and I just emailed to see if they will custom-make my dream palette (hands-free) for me. They seem have an adventurous woodworking inclination so maybe they'll say yes.

I just went back and drooled over those shadows in your painting - they are so soft.

[Mary Sparrow]

OH SHARON! This is my absolute favorite of yours. I always thought I preferred your pastels to your oils, but I can't say that anymore. It is just stunning!

[Jimmie Arroyo]

Wow. I wish I had something more intelligent to say, but 'wow' sums it up pretty good. If you have anything else to give away, I'll give you my address.

I'm going to the Metropolitan tomorrow to study portraits, I'll start with this one tonight.

[Kimberly Dow]

Ok - now she is very cool. What a great set-up. Heck - even the fake head looks good enough to paint in this light! Too bad she can't hold your coffee for you though.