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Old 12-10-2001, 02:58 PM   #11
Steven Rosati Steven Rosati is offline
Finalist ARC 2010-11 Salon, 3 place award of Merit PSOA 2011, Finalist for the 2011 Kingston Prize, Grand Prize 2006 PSOC, 2012 May cover art winner Professional Artist Magazine
 
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Breathtaking!
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Old 12-10-2001, 03:02 PM   #12
David Dowbyhuz David Dowbyhuz is offline
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ribbon

Karin,

I would like to encourage you, and any future unveilings, to "unveil" some background related to the painting.

For example, who is this delightful child? How did you come to paint her? How long did you work on it?
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Old 12-11-2001, 12:33 PM   #13
Abdi R Malik Abdi R Malik is offline
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Another beautiful work

Karin

Beautiful piece of work, I like that. Cool tones.

Do you mind if I ask you to give me a close-up look of the copy of Ingres that you have, which is "Francois Marius Granet"

Abdi
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Old 12-11-2001, 01:13 PM   #14
Jim Riley Jim Riley is offline
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Karin,

At the risk of being redundant I too was absolutely smitten with the face and delighted to see the colors you employed. I hope all that strive to find "perfect flesh tones" will learn and appreciate the broad range of possibilities and the excitment generated by this distinctive portrait. WOW!

Can't say I liked the pillows as well.

Thanks,

Jim Riley
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Old 12-21-2001, 01:51 PM   #15
Kyle Henry Kyle Henry is offline
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Karin,

You are truly a modern master. The painting is exquisite. I especially like the way you handled the collar--such delicate value changes.

Kyle
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Old 12-22-2001, 09:25 PM   #16
Maxine Gilder Maxine Gilder is offline
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Karin,

I've always admired Bouguereau's work. I wondered if he influenced your work. I noticed the face has that same porcelain glow to the skin. I'm extremely jealous. What an accomplishment. Bravo!
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Old 12-23-2001, 02:04 AM   #17
Brian McDaniel Brian McDaniel is offline
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Karin,

Beautiful! Absolutely beautiful!!

This is what I would call a 'gutsy' painting. Meaning that to use such a deep red in the background right around the girl, then using such cool and pale colors in her face... I wouldn't have had the guts to do that, but then again, I've got a long way to go to get to where you are.

What went into your decision-making process to choose this color scheme? Was your reference material this way? Did the subject bring the idea out of you? Please enlighten me to your thought process on this.

Thanks,
Brian
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Old 01-04-2002, 11:25 PM   #18
Renee Brown Renee Brown is offline
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Karin, I just discovered this thread.

She's gorgeous! That porcelain look is also present in Vermeer's faces.

Can I come over and take some lessons?

Renee
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Old 01-11-2002, 04:07 PM   #19
Jennifer Geary Jennifer Geary is offline
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Karin,

You are truly an inspiration to me! If I could paint half as good as you, I would be a happy gal! Okay, you must tell me how long it took you to do this...I am curious! I have seen alot of your work on your web site, and would be curious to know what the time frame for these beautiful pieces of art is! Do you paint wet on wet or do you let the layers dry in between? I would love to get some pointers from you! This portrait is precious!
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Old 01-13-2002, 07:22 PM   #20
Karin Wells Karin Wells is offline
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Thank you for your kind words.

It is really hard to say how long it takes me to paint a picture. Sometimes there are long drying times between layers. Sometimes I get stuck and turn the painting to the wall and don't look at if for months at a time while I work on other paintings. When I take on a commission, I tell the client not to expect it for at least a year...

I work in many layers (on a dry surface). My website has a technical info. section for other artists and various posts here on the forum pretty much explain how I paint.
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