The Ford (George "Frolic" Weymouth)

[Alexandra Tyng]

Oil on linen, 36" x 48"

Here's the portrait I unveiled at the PSA conference last weekend. The PSA asked me to do it as part of the award given to George A. (Frolic") Weymouth, a landscape and portrait painter who also founded the Brandywine River Conservancy and Museum, and is the museum's present director. Mr. Weymouth received the award for Leadership in the Fine Arts.

I envisioned the portrait as really a figure in a landscape. As I explained at the PSA banquet, I wanted his figure to blend into the landscape, to become one with the environment, but also to emerge from the landscape just enough to be a focal point. The winter colors around Pennsylvania are very subtle, and Mr. Weymouth's clothing was very similar in color to the landscape.

[Thomasin Dewhurst]

This is lovely, Alex! Really lovely. The figure is so much a part of the landscape, as is the dog, and the figure is so alive and alert. The composition is so beautiful too because of the v-shape that goes horizontally into the imagined space of the picture, with the man looking outwards and the dog looking inwards. I have a lot more to say, but I only have a minute to write this. I will look and write more tomorrow morning.

[Alexandra Tyng]

Thank so much, Thomasin! I think I finally tweaked the photos so they look a little more accurate.

[Ilaria Rosselli Del Turco]

What an interesting concept and harmonius composition. The surface looks so lively without missing out on revealing the structure.
Beautiful
Ilaria

[Linda Brandon]

This is a wonderful painting, Alex. I'm so happy that the Society asked you to paint this and that it got such a warm reception. You are a hugely talented and productive artist.

I'm so proud to be your friend (and thanks for driving me around, I really owe you one).

[Tom Edgerton]

This is a truly marvelous work, throughout.

The balance of focus between figure and ground, and the subtlety of it, is without parallel.

Just wonderful!

[Thomasin Dewhurst]

Alex - my addendum: I wanted to add that I also really enjoy the brushwork because of the lightness of touch and the consistency of it. The figures are so much a part of the landscape because of this consistency to be almost camouflaged, especially the dog. You also have captured the particular timbre of the coldness in the air and the particular speed of the wind too - making it a portrait (or likeness) of the landscape and weather as well as the figures.

[Marina Dieul]

Wonderful work, Alex !
I love the very well balanced composition, and I know it's not easy to do when you have to include a figure, a dog and a landscape ! You really mastered this challenge, the focal point is without doubt the figure and then the eye circulate with pleasure discovering the other elements. I also love the harmony of colors.

[Chris Saper]

Congratulations - what an honor! I very much enjoyed hearing you describe your research, and your approach to executing this piece!

[Alexandra Tyng]

Ilaria, Linda, Tom, Thomasin, Marina and Chris--thank you! I really appreciate your kind words and your support.

Thomasin, I am interested to know you think I've described the weather. That is an unexpected factor, since I was concentrating on the colors and textures of the winter landscape. It was pure pleasure (in spite of the mud) painting the Pennsylvania woods in winter. I have been wanting to paint those colors and see if I could describe the structures of the trees and branches at different levels of distance.

It just so happened that the dog walked into a photo session and sat just like that, as if she were posing! I immediately realized her brindle coloring would work perfectly against the dead leaves in the setting, and that she provided a secondary focal point towards the right in the portrait. Fortuitous!

Just in case anyone is interested, I used a combination of sources: landscape painted on-site; head study from life, outside, in the same light; charcoal drawings of Mr. Weymouth from different directions; and digital photos of him and the setting.