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05-22-2003, 11:26 AM
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#1
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Not pasty
They are not pasty. In my work, my skin goes from too intense to too dull, back and forth until I feel I get the correct color. Those non-flesh things around the skin are great to judge against. As the work is coming together, you will find you have a part here and there that is spot on. Leave that and compare the other passages against that.
At this point in your work, I'd adjust the "other" stuff then come back to the flesh and knock it back a bit.
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04-17-2005, 04:46 PM
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#2
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Juried Member
Joined: Oct 2002
Location: Lincoln, NE
Posts: 260
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Caling Chris Saper - TYG homebrew
Chris:
I
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04-17-2005, 06:30 PM
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#3
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SENIOR MODERATOR
SOG Member
FT Professional, Author
'03 Finalist, PSofATL
'02 Finalist, PSofATL
'02 1st Place, WCSPA
'01 Honors, WCSPA
Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Richard, I should think it would do just fine 
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05-16-2005, 02:05 PM
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#4
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Juried Member
FT Professional
Joined: Jul 2001
Location: Manassas, VA
Posts: 134
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I just happened upon this thread, and eventhough it has been a month since the last entry, I couldn't resist adding my two cents.
I agree with using the cerulean blue to tone down the reds. I also like mixing cerulean and cadmium red light together with white for the whites of the eyes.
Another color that I like for toning down the reds is a little chromium oxide green. It has weak tinting strength which makes it great to temper those reds without taking over.
Mary
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