Ken - Open Studio - 3/5/2003

Michael Georges · 03-06-2003, 06:52 PM

Well, I have been going to Open Studio almost every week since November trying to get myself into some shape for Bill Whitaker's class.

I believe I am finally starting to make some headway and understanding - still not outstanding, but better than when I began....

Enzie Shahmiri · 03-06-2003, 11:37 PM

Michael,

There are probably tons of things that could be fixed or corrected, but rather than going into all that, I wanted you to know I like it the way it is. It has a illustration feel to it, something you might see in the Communications Art Magazine. Cool!

Michael Georges · 03-07-2003, 11:26 AM

Thank you Enzie.

Josef Sy · 03-07-2003, 11:45 AM

Michael,

Practice makes perfect. I too have a hard time capturing from life. But I keep on trying even if it takes 100 drawings for a good one.

Have you ever try massing in 2 or 3 values? I have tried it and I really love it. It makes it much more simplified and helps with determining tonal values.

Keep up the good work.

Enzie Shahmiri · 03-07-2003, 11:47 AM

Michael,

You are very welcome. Will you be taking any upcoming workshops? I saw way too late that dear Mr. Whitaker will be in Scottsdale teaching a workshop. At least I think it said Scottsdale and was very dissapointed to miss the chance to sign up.

Michael Georges · 03-07-2003, 11:54 AM

Josef:

I have not tried value massing on a piece from life yet as there is just barely enough time for me to try to get the features in the right places. The big factor for me is time - if I have enough time I can noodle anything out. This was done in two hours. I will start adding it to the things I am thinking about while I work however. Thanks.

I struggle on...

Enzie:

Yes, I was fortunate enough to get into Bill's class in Scottsdale. I am looking forward to it greatly.

Chris Saper · 03-07-2003, 12:24 PM

Michael,

Tremendous progress!

I noticed on both your posts that the light is flat. It may be that you, or one of the other artists need to control how the model is lit so that light and shadow patterns are evident. The shapes of light and shadow are every bit as useful as landmarks as are the feature.

Michael Georges · 03-07-2003, 12:48 PM

Chris:

Thanks.

You are absolutely right there. The people where I go don't understand how to light a model properly - they use a 75 watt bulb on an overhead boom and don't like it when the light is in What I think is a "proper position" - too intense for them. As I am but one of many and new to the class, I deal as best I can. Several times I have just packed up and left because the light on the model was just terrible. I am starting to get to know this group now and have started to push a little for a better light on the model.