Developing the Artist Community in Europe

[Grethe Angen]

Mischa, what great and creative ideas. A center of competence and development of classical realism and portraiture is sorely needed.. I believe there are quite a member of artists in Europe that are serious about and wanting to develop the classical traditions. And to have their work appreciated and judged for what it is. The result of the Nordic Portraitcompetition shows that the skill of classical realism needs to be defined, no doubt.
It is a great initiative indeed.

[Mischa Milosevic]

My fellow artists, if you are not sure how you can get involved here is the first thing where you can contribute. If your communicating skills are well trained in advertising and writing we need to talk. If you have a excellent sense for design and promotion we need to talk. If you have a uncle that has a printing press we need to talk. If you are bilingual we need to talk. If you have good connections with the local or national paper we need to talk. If your uncle manages a hotel in your area we need to talk. If your brother or sister is a figure in the community, state country we need to talk. If you have sold less then five paintings or drawings this year and you did not earn enough to cover five months rent on your flat we need to talk. If you just care and you wish to help we need to talk.

To what extent this will grow depends on individual participation. How will it work? It all depends on ones vision, balanced and solid planing.

[Marina Dieul]

Hi Mischa,
when you began speaking of your project, I thought you were thinking to a sort of " European Portrait Society" but now I read what you have written, it seem to be more like an artists guild like in the past... What do you mean exactly by " Art club" ?

Ok, I think the first thing is to establish clearly the status of what you want to do ( association, organization, guild, society...) and to write the mission statement : the goals and artistic objectives.
Doing that will help poeple to decide if they want to get involved, because it's necessary to know in what you will involve.

Second idea which comes to my mind, is that you should attend at least one big event like the annual conference of the Portrait Society Of America, to study from the inside how they organize things. Your expertise in the humanitarian field is very impressive, but I'm sure there would be a lot of things to learn which are specific to the artistic environment.
Maybe it would be a good idea to contact founders of such organization to see if they have some advices to share...
I thought also you can study the website of a young society like the Portrait Society Of Canada which was founded only 6 years ago to see the differents steps of the developpement.
Ok, these are my first ideas for the moment.
I'm very optimist that it can work!

[Allan Rahbek]

Originally Posted by Marina Dieul

Hi Mischa,
Ok, I think the first thing is to establish clearly the status of what you want to do ( association, organization, guild, society...) and to write the mission statement : the goals and artistic objectives.
Doing that will help people to decide if they want to get involved, because it's necessary to know in what you will involve.!

Mischa,
I have the same questions as Marina. It would be much appreciated if you could define your vision of this project.
It seems to be very ambitious and I foresee some problems of geographical sort. If I should be involved I would have to stay there for longer periods and that would be a problem because of my normal job.
Are you thinking about an educational center with teaching and housing ?