Portrait Artist Forum    

Go Back   Portrait Artist Forum > Paints, Mediums, Brushes & Grounds


 
 
Topic Tools Search this Topic Display Modes
Prev Previous Post   Next Post Next
Old 03-22-2006, 01:30 PM   #8
Richard Bingham Richard Bingham is offline
Juried Member
 
Joined: Jan 2006
Location: Blackfoot Id
Posts: 431
Oiling out has its place and definite advantages over retouch varnish. From the information posted, I should think the painting is nowhere near dry enough for oiling out, and FWIW, the process is better accomplished with little or no MS, the oil being "massaged" into the paint film with enough friction to warm it.

There are so many possible variables to this problem it's very difficult if not impossible to recommend the best remedy without seeing the painting.
  Reply With Quote
 


Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
 
Topic Tools Search this Topic
Search this Topic:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is Off
HTML code is Off

Forum Jump

Similar Topics
Thread Topic Starter Forum Replies Last Post
How do you glaze skin tones? JJ Yang Techniques, Tips, and Tools 1 05-06-2003 10:15 AM
Glaze won't dry Susan Kuban Paints, Mediums, Brushes & Grounds 5 04-17-2003 02:38 AM
Direct painting over a glaze layer? Mai Ly Techniques, Tips, and Tools 4 03-15-2003 01:47 PM
Covino Glaze Medium over Liquin for portraits? Minh Thong Paints, Mediums, Brushes & Grounds 14 02-20-2002 02:02 PM
Unifying Glaze Michael Georges Techniques, Tips, and Tools 3 12-03-2001 04:19 PM

 

Make a Donation



Support the Forum by making a donation or ordering on Amazon through our search or book links..







All times are GMT -4. The time now is 07:40 PM.


Powered by vBulletin® Version 3.8.6
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.