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Old 09-29-2005, 10:34 PM   #1
Marcus Lim Marcus Lim is offline
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Gosh, i've heard so much about D50, and now i have Alex as a living satisfied customer of it!
Now i don't know how to decide between this baby, and Canon D350 model which boasts excellent quality pictures and higher megapixels than D50. Has anyone done a comparison between the both?
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Old 09-30-2005, 07:24 AM   #2
Molly Sherrick Phifer Molly Sherrick Phifer is offline
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Check this link:

Hi Marcus,

There is an in depth review and comparison at this link - note that there are many pages. : Nikon D50
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Old 09-30-2005, 08:52 AM   #3
Brenda Ellis Brenda Ellis is offline
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Molly, you should contact Nikon and tell them how you're converting the art world, one portraitist at a time! Maybe they'll use you in a commercial?
Seriously, though, I am sold. Next camera is going to be the D50, because I do trust your folks' judgement on this matter.
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Old 09-30-2005, 11:16 PM   #4
Marcus Lim Marcus Lim is offline
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Quote:
Originally Posted by Brenda Ellis
Maybe they'll use you in a commercial?
I agree with Brenda. A pretty face and a hot camera - i'm seeing a new up-and-coming "AMERICAN ART IDOL"...kekeke
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Old 10-24-2005, 09:16 PM   #5
Bobbi Baldwin Bobbi Baldwin is offline
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bulging in the middle

Hi Molly,

Now that you have had your camera for a while, I have a question. I bought the D70 a year ago and love it. But, recently, when photographing my own work for my portfolio, I noticed a continual oddity. I am wondering if you or anyone else has the same problem. I use the landscape setting to insure that the flash doesn't go off. I learned early on in my career that the truest form of color is photographed between 11 & 2 midday, outside in the shade. That isn't the problem. But, when doing this with a setting that will keep the flash off, (landscape setting) I get a distortion in the middle of the screen. It is wider in the center of the screen. I can see this because all the other edges are perfectly centered when I go to crop with Photoshop, but, the center is bulging. This may be a problem with my lens that I have over looked in my haste to only use the camera as a source and not looking for perfection. Would you try these settings on your camera for me and see if this happens for you also? I would appreciate it. I stand straight over my artwork making sure that the frame of the canvas is set square by the sides in the frame and also looking at my posture and the angle. (Of course if you were to take your time, you would put it on a tripod and use an easel, but, I am taking so many photos of my work that I am cutting corners.) My second question would be is this: a setting malfunction? But, my guess is that it would be the lens.
Thank you,
Bobbi Baldwin
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Last edited by Bobbi Baldwin; 10-24-2005 at 09:32 PM.
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Old 10-24-2005, 09:38 PM   #6
Garth Herrick Garth Herrick is offline
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Sounds like the lens.

Hi Bobbi,

I have not met you before, so hello and welcome. I have the similar but preceding Nikon D-100. From what I gathered from what you wrote, your issue has nothing to do with flash or no flash, or time of day, but is simply some kind of lens distortion. I doubt I have the same lens as you, but if I did, or if Molly did on her D-50, we should all see the same lens result. I noticed similar problems with my three lenses, and they are lens problems, not camera function problems. I usually suffer a slight pin cushion effect at the frame edge. Usually I just accept and ignore it. Which lens(es) do you have?

Could you post an example of the distortion you are experiencing? It would be easier to discuss this with a tangible example.

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Old 10-24-2005, 09:49 PM   #7
Garth Herrick Garth Herrick is offline
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I should add that zoom lenses have varying distortion like you describe at different focal lengths. At the widest angle the distortion will differ from the longest telephoto setting. Sometimes there is an ideal focal length that has the minimum of pincushion or barrel distortion present. You may have to try photographing your painting from different distances until you find the least distortion.

Then if you later have to photograph a different size painting, you may have to test this out all over again. One work around for this is to note down the relationship of the size of the painting to the distance you are standing from it, and keep this ratio as the one you can depend upon.

I hope this helps.

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