Portrait of L. Diane Johnson from Plein Aire Magazine

[Tony Pro]

Okay,

I hated the first time around on this painting, so I ended up completely repainting the head and reworked the shirt as the collar was way too big. So here is the painting at about 98% done.

Tony

[Allan Rahbek]

Hi Tony,

I believe that you have a point with the big collar, like Sargent who always did something weird to trigger the curiosity. It also adds to the light masses in this relatively dark picture. But are you going to change the shape of it so that it doesn

[Tony Pro]

Hi Allan,

I am going to drop down the collar to get away from the weird tangency.

I usually grey down the warm tones with black to get my neutrals; sometimes I use viridian. Sargent and de Lazslo used Rose Madder and Viridian and white to get his flesh tones -- up the Rose Madder for warmer tones and up the Viridian for more neutrals.

Thanks for the input.

Tony

[Chris Saper]

Hi Tony,

You have beautiful edges and color harmony at work - Ms. Johnson is one lucky painter. Perhaps we wll all have to take up plein-air painting to see ourselves on your canvas. Sigh.

[Tony Pro]

This painting will be at the Portrait Society of Atlanta Show next weekend (Aug. 14)

Tony

[Steven Sweeney]

My apologies, I know you put this in a publications thread earlier but I can't get there and AOL will time me out soon . . .

I do congratulate you, Tony, on securing and wonderfully executing the portrait of the Editor, L. Diane Johnson. I had seen the earlier post of the portrait, but because the magazine was forthcoming, I had not yet made the connection. What an honor and a privilege to be part of the inauguration of a new publication.

I eagerly awaited the first issue, as I intend to pursue plein air work

[Linda Brandon]

Tony, congratulations on getting this evocative painting into the PS of Atlanta show. They are a wonderful group of artists.

Like Steven, I am also very interested in what's going on at Plein Air Magazine and I really appreciate your posts here.