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Old 01-08-2002, 10:36 AM   #5
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
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Joined: Jun 2001
Location: Peterborough, NH
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I had another thought about your drawing (or any drawing)...not necessarily an improvement...just something different to try sometime...

Drawing on white paper with a pencil or charcoal is difficult and sometimes produces a "harsh" result because there is no middle tone to work with.

I fiddled with your drawing to show you what it might look like drawn with a sepia pencil on a toned paper. It is much "softer" and the value of the paper creates a midtone that can work for you. Although it doesn't show here, white chalk accents would easily establish the highlighted areas if you choose to do that.

I love the drawings of the Italian Masters of the renaissance who drew with red chalk on toned paper...
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