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Thanks heaps Alex for your reply, I will re-read it again to understand what you saw for me. It is so much different seeing the painting with the photo underneath each other here on the forum, I can see so much more with them together. It is a shame I didn't have this set up when I was working on her.
The funny thing is, I only had a B & W A4 photo of this to work from (I ran out of colour inks for the printer and didn't even think of getting a copy done at a shop), so I had terrible trouble seeing her visually other than the sittings which were different positions each time she sat for me. I didn't copy the position in the photo because of the problem with each sitting. I am starting to realise how difficult it is to get the model to get into the position each time, there was always an angle problem with her pose, different lighting on cloudy to sunny days etc. I didn't realise just how many variables changes colour, value and pose.
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