I think the position of subject matter relative to the easel, whether one is sight-sizing, and how brushes are held (choked up, or from the end of the handle) have a lot to do with sitting or standing, as well as the angle position of the workpiece. After all, easels are adjustable for good reason, and it's not the details of technique, but the results that matter! I wish I had $5 for every time I caught myself working uncomfortably or inefficiently without stopping to think things through.
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